Diego Capusotto

Killer must kill the Antichrist, but receives a counter-order call and hesitates about what to do. The fate of the universe depends on him.

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In 1959, Buenos Aires, Mabel, an employee of a ministry must travel to the field to get a contract signed by the rancher Antonovich. In that solitary house, guarded by a female motorist, she will live unexpected scenarios with intriguing characters that will change forever the course of her life.

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Fabio Zurita followed Osvaldo Bayer with his camera for 30 years. The voiceover (narrated by Diego Capusotto) tells the various stories that the director would have liked to tell about his life and struggle.

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In 1806, in the mist of the British invasion of Buenos Aires, football is introduced. A merchant of the time sees in this sport a unique business opportunity and in the process awakens a passion so great that it can replace the war.

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Following the death of a musician under suspicious circumstances, a researcher and a music fan examine why rock stars often die at 27.

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Nafta Súper was born as a spin-off of the argentinian cult film "Kryptonita" (Kryptonite) from 2015. Eight suburban episodes, eight mocking, engaging, and ferocious hunts. Nights of drinking that are nights of shooting, lived with adrenaline, dark humor, and glistening sweat.

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Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.

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Soledad is a folclore singer and Larguirucho a beloved cartoon character; both from Argentina. The movie follows both in their adventures accompanied by numerous songs.

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Violencia Rivas, one of the characters created by Diego Capusotto and Pedro Saborido for their television program Peter Capusotto and their videos, reflects on the world of entertainment, while other characters of the same origin appear as examples of the different edges of the subject. Together they draw a satire on entertainment as a concept and industry, starting with "three-dimensional cinema", and analyzing with "practical" examples how the media, advertising, the Internet, and social networks are shaping a being alienated and docile, to thus form an anesthetized and consumerist society.

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José (Diego Capusotto) lives in Buenos Aires with his father, with whom he doesn't have a good relationship. He's a musician, but supports himself with the earnings from his taxi company, and when he can, he plays with his band in pubs. He's nostalgic for the success he could never achieve again, like when he played with his cousin Miguel (Luis Luque). They had both achieved a certain notoriety with the song "Pájaros vuela" (Flying Birds) by their band "Dientes de Limón." After a long time without seeing each other, Miguel, who lives in Las Pircas, a small town in the mountains of Córdoba, comes to visit him and suggests that he leave the city and come with him.

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General San Martin has stopped in the Cordillera and the crossing of the Andes does not advance. Rivadavia is that triune. A simple chasqui (courier), advised by an aboriginal witch, will try to solve the situation.

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collection of the most hilarious videos of Peter Capusotto

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Three friends take a roadtrip to their hometown. Nicolás is looking for the perfect spot to scatter his grandfather’s ashes, Abril is visiting her family for the first time in eight years and Alfred wants to take part in a dance contest.

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Three stories that happen in one night. The starting point is a meeting of graduates. Former schoolmates are reunited after twenty years and all these stories will have something in common: second chances

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Heriberto (Matías Santoiani) dreams of becoming an actor. He wins a contest to work on a film and leaves his small town for Buenos Aires. There he meets Cynthia (Claudia Albertario), the other winner, who will be his co-star in the film, and with whom he falls in love. But the contest turns out to be a scam for pornographic purposes. This failure depresses Cynthia, and Heriberto, still in love with her, tries to help her, but she leaves him and takes his savings.

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It tells the story of two cousins ​​in bankruptcy, who kidnap Luis Aguilé obtained assuming a large ransom and, awkwardly, ending in a small town where they will live a story that reaches beyond the madness of kidnapping.

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Black humor film that tells the story of Enrique, a retired, outdated and unemployed film director, who decides to commit suicide with the help of his grandson.

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Sol Negro was an Argentine television miniseries that aired on the América TV channel in late 2003. The plot focuses on the story of a young man who is admitted to a neuropsychiatric hospital to evade prison, and revolves around his insertion in the circle of inmates of the hospital and a complicity network to take away his share of a family inheritance.

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Teresa is an orphan who longs to live her own love story. She is a boarding school for minors, and the only thing she enjoys is watching the soap opera "Little love." One day the television breaks and Teresa makes the decision to escape.

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A reworking of Waiting for Godot where two losers (Coco and Peluca) are waiting in an amusement park abandoned to a former occasional boss (Godotti) who owes them a small amount of money.

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A kidnapping occurs in the middle of a vital match for Racing Club.

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Cha Cha Cha was an Argentine sketch comedy television program aired in the 1990s on América TV, starring Alfredo Casero, Fabio Alberti, Diego Capusotto, and others. It was characterized by absurd humour, sometimes bordering on the surreal. In 2012 it was announced by Casero that the show will return as a motion picture.

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A seemingly perfect couple's anniversary dinner party unravels as hidden truths and past mistakes surface among guests, leading to humorous and dramatic conflicts.

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Violencia Rivas, one of the characters created by Diego Capusotto and Pedro Saborido for their television program Peter Capusotto and their videos, reflects on the world of entertainment, while other characters of the same origin appear as examples of the different edges of the subject. Together they draw a satire on entertainment as a concept and industry, starting with "three-dimensional cinema", and analyzing with "practical" examples how the media, advertising, the Internet, and social networks are shaping a being alienated and docile, to thus form an anesthetized and consumerist society.

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