Coral Bonelli

Nieri is an indigenous teenage boy from the Wixarika culture, who is being indoctrinated by his father on the path of dreaming to reach the Blue Deer and become a Marakame. However, Nieri doubts about having the gift that is necessary to become a Marakame. His real dream is to play Mexican country music and to go to Mexico City to play there with his friends.

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Amidst the complex Mexico City, a man drives a public transport bus during daytime and works the night shift impersonating Mexican songstresses in a drag cabaret.

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The unveiling of a statue honoring Emiliano Zapata becomes the site in which the demands of a struggling city are manifested through the speech of a young boy.

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The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.

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Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

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The story of two women, a mother and her daughter, who during the Cristero War set traps for government soldiers passing by their house, using seduction that was never consummated. The idea was to deceive the soldiers by making them feel safe, then hand them over, almost with their hands tied, to the Cristero guerrillas. But then one of the women, the daughter, truly falls in love with one of the soldiers, allows herself to be seduced by him, and then tries to save him, only to be killed, in the circumstances, by the soldier himself.

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Indian village experiences forced relocation; their experience is paralleled by that of other groups dating back to the 18th century.

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Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.

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