Denis Caïozzi

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In a mythical yet real Rome, from the shadows of the church of Sant’ Andrea della Valle to the terrace of Castello Sant’ Angelo, passions collide and tear all apart, mingling the erotic with the sacred, love with possession, theatre with life. Nothing is what it seems in Tosca. Live from the Opéra Bastille in Paris.

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Jean-Christophe Maillot has re-worked Swan Lake with the writer Jean Rouaud (1990 Prix Goncourt winner) to bring a new drama to this pillar of the classic repertoire. This new adaptation, filmed in a special studio-setting at the Grimaldi Forum in Monaco, brings a modern-day relevance to the timeless story of Siegfried and Odette.

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The days leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte, Georges Seurat is struggling to make meaningful art and maintaining a relationship with his lover, Dot. Amid the scorn of the artistic community, Seurat's artistic ability thrives while his love diminishes. A century later, Seurat's descendant – named George and also an artist – finds himself burnt out and in search of what artistic path to follow, but he finds the answer to his future in the past.

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An hour-long breathtaking trip through a soundscape created by Coldplay and Massive Attack collaborator, Jon Hopkins, and award-winning composer Joby Talbot (The Divine Comedy), ENTITY is a staggering blend of bodies, lights, technology and film that mark McGregor at the cutting edge of contemporary culture. Technically astonishing, emotionally uncompromising and hard-hitting, McGregor's work breaks boundaries and defies categorisation.

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Starvinsky's ballets The Firebird and The Rite of Spring in the restored original choresography by Michel Fokine (Firebird) and Vaslav Nijinsky (Rite of Spring).

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This version of "The Nutcracker" gives the classic ballet a tragic spin, with Masha (instead of Clara) now the unloved, unappreciated daughter of the Town Council President. At a Christmas party, Masha is given a seemingly alive Nutcracker by her Uncle Drosselmeyer, and Masha instantly is enchanted with it. The toys come to life at midnight, and after Masha helps the Nutcracker defeat attacking mice, he takes her to his kingdom, where he is later revealed to be a handsome Prince. The Prince and Masha fall deeply in love, but their "happy ending" has a morbid twist not found in any other "Nutcracker".

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A truly remarkable New Year’s Eve in St Petersburg’s fabled Mariinsky Theatre, with Valery Gergiev and the Mariinsky (ex-Kirov) Ballet. It was at the Mariinsky Theatre in St Petersburg that the ballet The Sleeping Beauty premiered in 1890, with a score by Tchaikovsky and choreography by Marius Petipa. This New Year’s Eve programme revolves around Act III, in which Princess Aurora is brought out of her long sleep by the prince of her dreams and marries him. In addition, prima ballerina Uliana Lopatkina dances Camille Saint-Saëns’ famous Dying Swan, first performed by Anna Pavlova. In conclusion the soloists of the Mariinsky Theatre’s Young Singers’ Academy perform the finale of Rossini’s Journey to Rheims in a joyous celebration of the coming of the New Year.

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Live Paris 2006

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Pique Dame (or "The Queen of Spades") inspired by Alexander Pushkin, set to a music by Tchaikovsky; Passacaglia (or "Passacaille") set to a music by Anton Webern: two Roland Petit masterpieces brought together on one memorable evening at the Bolshoi Theater of Moscow. Recorded live, 19th of May 2005.

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Le Sacre du Printemps is a ballet and orchestral concert work by Igor Stravinsky. The music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century. This was a production of Théâtre Mariinsky - Saint-Pétersbourg.

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Ballet master Pierre Lacotte brings the long-dormant "Paquita" back to life at the Paris Opera (where it debuted in 1846) in this fanciful tale about a noble child kidnapped and raised by gypsies, never suspecting she's of royal blood. The ballet retains much of its original character, thanks in part to Lacotte's faithful choreography and Luisa Spinatelli's authentic sets and costumes, which were modeled after the originals.

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A ballet staged by Angelin Preljocaj and recorded at the Avignon Festival.

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