Fernanda Montenegro

Milton Nascimento is a singer, a songwriter and a connoisseur of multiple instruments. Music is at the core of his being. He is also considered one of the most important Brazilian artists in its history, with musical partnerships (and friendships) with all of Brazil’s greats, and several Grammys to his name. The artist’s history and legacy are explored in this film, whose starting point is Nascimento’s farewell tour.

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Nina is an elderly woman who lives alone and feels distressed by the increasing violence in her neighborhood. Amidst conflicts with her neighbors, she decides to film the movement of drug traffickers from her window, hoping to assist the police. After months of recording suspicious activities, her initiative attracts the attention of a journalist, who approaches Nina and offers to support her in her mission.

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After 20 years missing, João Grilo returns to Taperoá to join his old friend Chicó and, after his story of resurrection spreads, he is disputed as an electoral candidate by the two most powerful politicians in the city.

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Fernanda Montenegro opens the doors of her home and recalls remarkable stories, from more modest productions to the Oscar ceremony, in the company of her daughter, actress Fernanda Torres.

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A woman married to a former politician during the 1971 military dictatorship in Brazil is forced to reinvent herself and chart a new course for her family after a violent and arbitrary act.

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Considered one of the main Brazilian intellectuals, Heloisa Buarque de Hollanda — a member of the Brazilian Academy of Letters — left important marks on national thought and continues to be, at 84 years old, an active voice on the country's cultural and behavioral issues. The documentary sheds light on the trajectory of this icon who has always been at the forefront, serving as an antenna and beacon for cultural and social movements that are to come, while delving into Heloisa's intimacy thanks to the access of her eldest son, director Lula Buarque de Hollanda.

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The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.

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With the participation of great stars of television drama, the documentary promotes an emotional journey through the great moments of soap operas, celebrating its seven decades on Brazilian TV.

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From archive images and testimonials of Globo's talents and the public, the documentary traces the chronology of the representation of LGBTQIA+ characters in Brazilian soap operas.

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To the beat of his avant-garde and eclectic rhythms, Brazilian rapper Emicida performs hits from his album AmarElo at the São Paulo Municipal Theater.

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The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

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In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

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The special brings the continuation of the plot starring Gilda and Lúcia in the series 'Amor e Sorte'. After a period of forced coexistence due to social isolation, they face a new reality.

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Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.

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Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

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The four-part anthology series brings together stories about relationships and transformation during times of social isolation.

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Augusto moves with his family to an abandoned farm, inherited from his grandfather, hoping to put his life back on track. The property, however, carries the karma of the betrayal of the slave Couraça who seeks revenge against Augusto's family.

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The quiet life of the small town Piedade's inhabitants is shaken up by the arrival of a big oil company, which barges in taking over houses and local businesses, throwing everyone out, to better reach and use the area's natural resources.

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Documentary that chronicles the trajectory of the journalist, federal deputy, secretary of state, minister of state, governor and ambassador José Aparecido de Oliveira, who lived with the greatest authorities and personalities from the political, business and cultural circles in Brazil and the world.

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Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.

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The intense life of Ferreira Gullar, one of the most influential poets in Brazil, is revisited by his personal friend Silvio Tendler, based on his most acclaimed work: Poema Sujo. In addition to addressing other poems by Gullar, the documentary also includes the testimony of people who lived directly with the artist's work.

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The multiple screen installation and photographic series A Marvellous Entanglement (2019) traverses a collection of Lina Bo Bardi’s most iconic buildings, offering a meditation on the work and legacy of the visionary modernist architect and designer (1914–1992).

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Maria da Paz is a committed baker who becomes a wealthy businesswoman twenty years after a tragedy strikes on the day of her wedding to Amadeu. From this broken union a baby is born, Jô, who seeks power and despises her mother’s humble origins. Afraid that her parents’ reunion might spoil her plans, Jô starts an alliance with the charming Régis to convince Maria to marry him and, together, they plan to steal all of Maria’s fortune. In this exciting telenovela written by Emmy Awards winner Walcyr Carrasco, Maria’s optimism must be stronger than Jô’s ambition when the baker finds out about the betrayal and her own daughter’s dangerous secrets.

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When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.

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Film adaptation of the TV Show in 1994, based on the novel of the same name by Érico Veríssimo. During a general strike in the city of Antares, gravediggers refuse to carry out burials, to increase pressure on employers. During the night, however, the dead claim the right to be buried.

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