Richard Stratton

This documentary serves as the complete and definitive father and son story of two men who were raised in the mob and became the reigning king and heir apparent with John Gotti Jr. providing his most extensive on-camera interview to-date.

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"The Perfect Murder" brings viewers some of the most diabolical, perplexing murder cases to land on detectives’ desks – the kind of cases that make or break careers and provide fodder for Hollywood mystery movies. These ingenious killers are every detective’s worst nightmare. Whether by planting false evidence, or writing anonymous letters to police, these murderers will stop at nothing to stay one step ahead and get away with the perfect murder. Detectives hit dead end after dead end, and wrong suspects are discarded. But one new clue can lead to another and the cold case suddenly gets hot. The truth is that it is the perfect murder -- until it's not.

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Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

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I Married a Mobster is an American documentary television series on Investigation Discovery. The series debuted on July 13, 2011.

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A family from the city decide to spend a weekend away at a friend's country farmhouse. But a fluke accident sets off a chain of events that alters their lives forever and conjures up the ferocious spirit of the Wendigo.

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Raymond Joshua, a young black performance poet, is arrested and imprisoned for a petty marijuana charge in a Washington, D.C. jail. Although the confining prison walls do little to shield him from danger, it is within those walls that Raymond establishes his identity, strength, and voice and meets a prison gang leader and a prison writing teacher, Lauren Bell. Bell inspires Raymond to use the power of creative expression to free himself from the struggles and demise of the Black male as another victim of the judicial system.

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The story of lawsuit by tens of thousands of Ecuadorans against Chevron over contamination of the Ecuadorean Amazon.

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In a virtually all-white Iowa town, Flip daydreams of being a hip-hop star, hanging with Snoop Doggy Dogg and Dr. Dre. He practices in front of a mirror and with his two pals, James and Trevor. He talks Black slang, he dresses Black. He's also a wannabe pusher, selling flour as cocaine. And while he talks about "keeping it real," he hardly notices real life around him: his father's been laid off, his mother uses Food Stamps, his girlfriend is pregnant, James may be psychotic, one of his friends (one of the town's few Black kids) is preparing for college, and, on a trip to Chicago to try to buy drugs, the cops shoot real bullets. What will it take for Flip to get real?

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Raymond Joshua, a young black performance poet, is arrested and imprisoned for a petty marijuana charge in a Washington, D.C. jail. Although the confining prison walls do little to shield him from danger, it is within those walls that Raymond establishes his identity, strength, and voice and meets a prison gang leader and a prison writing teacher, Lauren Bell. Bell inspires Raymond to use the power of creative expression to free himself from the struggles and demise of the Black male as another victim of the judicial system.

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