Ivan Cardoso

23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.

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A journey through 40 years of life of the most important Film Festival in Portugal, through the voice of its President and Director, Mário Dorminsky and Beatriz Pacheco Pereira. Born at a coffee shop table in the "Invicta" - Porto City, with a subsidy of 15 "contos" (75EUR), since 1981 it hasn't stopped bringing us cinema, and given its weight and peculiarity, The project developed and soon became a reality, with the screening of several sessions a day, the realization of retrospectives and, also, in parallel, the promotion of concerts and art exhibitions. It is considered the biggest film festival in Portugal, and internationally recognized as one of the most important worldwide, and is now entering its 40th edition.

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Ivan Cardoso is the inventor of the terrir, a subgenre that mixes comedy, Brazilian chanchadas and classic American horror. This film promotes a rescue of his work by mixing archival material, animations and fictional reconstructions.

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A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel. In the end, Corman himself blesses Cardoso by saying: "You blended horror, sex and humour very well. And particularly the editing is very good because the film never lagged or slowed down". Which film? This one!

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A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.

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The story of Brazilian poet Torquato Neto, who lived passionately through fracturous times and worked in several fields, including music, journalism, and cinema. He was an active participant in the revolution of Tropicália and marginal art, which changed the course of Brazilian culture in the 1960s and 1970s, until he committed suicide on his 28th birthday.

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A documentary on prolific underground Brazilian filmmaker Rogério Sganzerla.

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After taking part in a satanic orgy at a beach in 1850, Macário meets Exú-Lebara, a female pagan entity. She decides to go along in his trip but tricks him into going to 2008 São Paulo.

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Experimental documentary short that debates over Rogério Sganzerla's Brazilian cult classic "The Red Light Bandit".

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Comedy/horror short film shot during a 4-day workshop of filmmaking at 2007's MOTELx Lisbon International Horror Film Festival.

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A couple in crisis is about the Brazilian middle class.

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A short documentary on Belair, an independent Brazilian film company that lasted for only five months in 1970.

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Antônio wants to give his girlfriend, the prostitute Ioiô, a star. He meets a Salesman who claims he can get one for him, with certificate included! After many negotiations, Antônio finds out he has been taken in.

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A look into the Porto Fantastic Film Festival at Portugal.

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Super Chacrinha and Glauber Rocha, two millionaires from the earthly plane of Varathrum, manipulate the people around them, including Deus and the Devil, so that their artistic industrial conglomerates grow.

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The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.

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An unusual look at 1978 Brasilia Film Festival and the politics that make certain films fashionable or not.

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Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

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A beautiful film-interview by Ivan Cardoso, made during the shooting of A Werewolf in Amazonia in 2005, with the astonishing Paul Naschy!

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A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel. In the end, Corman himself blesses Cardoso by saying: "You blended horror, sex and humour very well. And particularly the editing is very good because the film never lagged or slowed down". Which film? This one!

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This film is Ivan Cardoso's new incursion on pop and experimental cinema, making an hommage to old screenings at Cine AC, and reuniting restaured films and new works.

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A dive into the mind and lens of photographer and filmmaker Ivan Cardoso.

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A CIA agent discovers a document about a Brazilian crazy scientist that transformed dead Nazis, including Adolf Hitler, into mummies.

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A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.

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A late-1960s interview with Brazilian filmmaker Glauber Rocha, mixed in avant-garde style with scenes from his films and clips from fellow filmmaker José Mojica Marins and visual artist Hélio Oiticica.

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Anjo, a millionaire playboy who moonlights as a crime fighter, leaps into action when his arch-nemesis, the Scarlet Scorpion, kidnaps a beautiful fashion designer.

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A mad scientist attempts to bring an ancient Egyptian mummy back to life.

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A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.

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An experimental film on Brazilian avant-garde artist Hélio Oiticica and his works, especially the Parangolés.

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A mummy movie without a script.

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A film portrait of Jose Mojica Marins.

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Musical documentary focused on the iconic figure of singer and songwriter Antônio Moreira da Silva, also known as Kid Morangueira. Inventor of a way of singing called "samba de breque", at 70 he's in full shape, dressed in a white suit and panama hat, singing his best known songs at a number of places.

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A sadistic jew tortures an abnormal employee who is held captive for having owned his only daughter on the day of his death. The jew's life turns to hell as the punishment increases and the abnormal man begins to feel pleasure with his suffering.

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Shot in 1971 during Gal Costa's famous concert "Gal Fa-tal" in Rio de Janeiro's Sucata Nightclub, Ivan Cardoso's eponymous Super-8 short film shows the singer both in and off stage, interlapsed with scenes from Cardoso's "Nosferato no Brasil".

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