Leyla Hakim

Marie, a Canadian editor specialized in testimonies of Genocide survivors, starts to receive anonymous large envelopes with the narrative of Ali, a young Palestinian who grew up in a refugee camp in Lebanon. Intrigued, Marie investigates the origin of these envelopes and finds out who is the anonymous writer. This is how she establishes a connection with Joseph, a Lebanese worker hired to paint the offices. A strange relation develops between these two persons who come from very different worlds. But after a while, Joseph abruptly disappears and Marie, overwhelmed by the mission fallen on her, starts a journey into the past, through a small village in Lebanon, in the heart of a bloodthirsty culture were lies the key of all the enigmas.

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In a remote, isolated Lebanese village surrounded by land mines, Muslims and Christians live together in peace. As civil strife starts to engulf the country around them, the women in the village try, by various means and to varying success, to keep their men in the dark by sabotaging the village radio, and then destroying the village TV.

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Aging couple Bahiya and Mahmoud have fallen into a reliable routine of bickering and making one another miserable until the morning that Mahmoud wakes and finds Bahiya gone.

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After abandoning her four-year-old daughter in Lebanon to pursue a better life in Quebec, Sana cuts every link to her Lebanese ties and never looks back. That is until her daughter, now 21, shows up in Montreal for a visit. This film explores what it means to be free for a woman.

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Ali comes from a modest family in southern Lebanon. He lives and works in Beirut as an assistant to a sports photographer. Ali is in love with a young woman he spotted at an equestrian competition. Unsure of how to seduce her, he asks his sister for advice. She suggests he write her a poem.

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