Shinobu Araki

On the night of the summer Obon festival, Hagiwara Shinzaburo meets a beautiful courtesan named Otsuyu. Not knowing she's a ghost, he becomes infatuated by her.

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A greedy developer, in league with a corrupt Shrine Magistrate, brutally tries to drive people out of a tenement building and destroy the shrine in back. But he makes the fatal mistake of hosting a 100 Ghost Stories ceremony without the closing cleansing ritual, opening the door for the Yokai Monsters to punish the wicked.

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Zatoichi's trek through 88 temples to atone for his violent past is interrupted as he stumbles into a village terrorized by a violent yakuza boss.

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A naively honorable samurai comes to the bitter realization that his devotion to moral samurai principles makes him an oddity among his peers, and a very vulnerable oddity in consequence. He takes the blame for the misdeeds of others, with the understanding that he will be exiled for one year and restored to the clan's good graces after the political situation dies down. As betrayal begins to heap upon betrayal, he realizes he'll have to live out his life as a ronin, if not hunted down and killed.

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A poor rickshaw driver finds himself helping a young woman and her son after the woman's husband dies suddenly.

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[Period covered: 1616] On May 8th, 1615 the summer campaign of Osaka has reached the climax. This film takes place immediately following 'Ninja 4: Mist Saizo, Last of The Ninja'. Staying one step ahead of the Shogun’s forces, “Mist” Saizo tries to save the Sanada Clan, and avenge the death of his lord by assassinating the first Tokugawa Shogun. Following the first four films in this remarkable series, more previously unknown Ninja skills are shown to the world for the first time. The action heats up as Saizo single-handedly attacks the Shogun’s Palace!

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Nemuri Kyoshiro, a youthful and cynical ronin with unparalleled skill, is approached by both sides in a game of corruption, ambition, and double crosses. The leader of the Kaga clan, who thinks he has killed his smuggling partner, fears that the shogunate will discover his illegal activities. He learns of evidence that will prove his guilt. Meanwhile, his partner is not dead, and, assisted by a master of Shorenji boxing, is looking for revenge and for his loot. The Kaga leader sends the beautiful Chisa to enlist Nemuri's aid. The unexpected happens: the hard-bitten Nemuri falls in love. Can he protect her, topple the criminals, and avoid the boxer's deadly skill?

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A story loosely based on the affair between Empress Kōken-Shōtoku and the monk Dōkyō, set during the Nara period (710–794 A.D.).

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19th century Japan, at the end of the Edo period. A samurai falls in love with a young woman while taking up arms to overthrow the local shogunate.

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[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.

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The shogun's vassal Harima Aoyama and a chamber maid are in love with each other, but they cannot be together due to a difference of their status. Soon, an offer of marriage is brought to Harima. Trying to test his love, Okiku breaks one of the plates of the family treasure of the Aoyama family, but Harima doesn't notice. However, someone surrounding her witnesses the moment Okiku breaks the plate on purpose.

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In the mountain regions of Hida, the dreams of a peasant named Kyonosuke, who longed to be a samurai, come true when he becomes one of three doubles, of shadows, of Lord Yasutaka. After months of intense and cruel training, he faces his destiny when the Lord and the other two shadows are killed in battle and he must take on the role of Lord Yasutaka....

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The womanizing master of a run-down dojo hires an unemployed samurai to make himself look good instead of learning the skills himself. He lives to regret this laziness when he falls in love with the daughter of a higher class samurai and is informed on their wedding night that he must defeat her before their marriage can be consummated....

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As winds of change sweep Japan, an honest man joins the Shinsengumi out of admiration for its leader, and because he wants to live and die as a samurai. However, as his involvement grows, reality and idealism come into deadly conflict.

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Tsunamune Date, the young lord of Sendai Domain, was ordered by the shogunate to stand down after being spotted in a brothel. Shortly after, four advisors from his entourage were assassinated, calling into question the possessions of the Date family.

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1962 Japanese movie

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A tea master and his daughter Ogin are both Christians in feudal Japan. Ogin falls in love with a married feudal prince who shares her faith. When the Shogun bans Christianity, the situation worsens.

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When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.

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1962 Japanese movie. Remake of Mori's 1942 original movie

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Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

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1962 Japanese movie

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A 1961 film directed by Yoshiyuki Kuroda.

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An Indian prince leaves his world of comfort and riches behind to wander and meditate for six years in search of spiritual enlightenment. Siddartha (Cojoin Hong) turns his back on the old religion when people are starving needlessly and holy rituals include human sacrifices. During his meditations, he is tempted by erotic dancing women, demons, and the evil machinations of his criminal cousin. Devastate to attain the spiritual perfection and become the Buddha. He travels to convert followers by his kindness and wisdom, gaining a multitude of believers when he stops an elephant from crushing a local priest. Buddha of course goes on to become one of the great religious leaders of the world.

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A unique story of a life of romance, divided into three episodes about the profound secrets of the path deeply rooted in the essence of human nature, depicted with a wry and stylish touch.

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Asakichi beats a ganster, Sada, in a physical fight, leading to recognition by Sada's clan boss. When Kotoito, the geisha Asakichi is in love with, is kidnapped by a rival clan and sold to a a house of pleasure, Asakichi and Sada set out to rescue her.

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Mitsuko, a maiko from Gion, met Haruki by chance and had a fun time with him, but is stunned when he discovers her secret. This is a love story that cheerfully portrays the life of a modern maiko.

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