Pedro Sotero

To protect herself from a revolt by the workers on her family's farm, a reclusive designer locks herself in her armored car. The clock is ticking and the tension rises. Separated by an impenetrable layer of glass, two universes are about to collide.

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Film about the Bahian singer dives into the moment when shy Gracinha becomes Gal Costa, during the violent, innovative and mind-blowing years that helped shape Brazil's greatest singer.

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Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.

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Santiago, gay single father, has reached a tipping point in his life. Reeling from a bitter breakup, he is facing the impending departure of his daughter Laila, with whom he shares a close yet emotionally charged relationship. As the fear of being alone threatens to swallow him whole, his behavior becomes increasingly erratic. Over the course of a chaotic summer divided between Argentina and Brazil, Santiago must learn to let go of Laila so each can find their own freedoms.

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Under pressure from a back pain and being constantly short of money, Tiago (played by Okado do Canal) experiences an encounter that will reshape everything he knew about his own father, instilling an imminent crisis in his way of being. Set amid the outskirts of Olinda and the Recife middle class, the film contrasts both worlds without ignoring or overlooking the complexity of human relationships. In this universe where rap beats and community life thrive, we glimpse through the cracks of a disintegrating family model the construction of another masculinity.

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In the end, one is dead and the others are alone, although the truth is that they were already alone long before his death. Now all of this is gone and there is no point in looking back.

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Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.

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In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.

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Young, gifted and black! In an act of self-empowerment, a group of young Black people, mainly first and second generation immigrants from the Caribbean, have occupied the public space of the Toronto underground to perform their agitprop concept of edutainment – poets, rappers, singers and musicians.

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A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

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A documentary about an intinerant amusement park that travels through the poor Brazilian Northeast and the hardships faced by the people around it.

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Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.

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Before entering a prestigious American university, Gabriel Buchmann decides to travel the world for one year. After ten months on the road with his backpack full of dreams, immersed at the heart of various countries, he arrives in Kenya determined to discover the African continent. Until he reaches the top of Mount Mulanje, Malawi, his final destination.

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The film follows the life of a couple of singers from Münster who became known for covering the most prominent voices of distinct eras of Schlager music. While Markus got recognition through youtube tributes to Udo Jürgens (known for introducing French Chanson in 1970’s Schlager) Steffi often performs the repertoire of Helene Fischer, a contemporary Schlager icon who opened the genre to a Global Pop standard.

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In the social landscape of Brega, music videos are the catalyst of an appetite for success as encouraged by capitalism. 'You are seeing things' looks at this world where self-regulation and image management play a crucial role in the construction of voice, status and identity of a whole new generation of popular artists.

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Clara, a vibrant former music critic and widow with flowing tresses is the only remaining apartment owner in a beautiful older building targeted for demolition by ruthless luxury high-rise developers. Clara proves to be a force to be reckoned with as she thwarts the builders plans to kick her out of the apartment.

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In four acts, dancers combine steps of frevo, a traditional Carnival dance of Pernambuco State (Brazil), with others typical of contemporary rhythms like funk, swingueira, electro, and vogue.

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A photographer travels to São Paulo for his first solo exhibition and decides to stay in his now married, ex-girlfriend’s house.

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Joli returns home after spending a long period in rehab. Her father, Anthony, a famous city politician, is quite concerned about her conduct and reintegration into society. This is the time when father and daughter will fix the broken ties of the relationship.

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The boy runs after the ball. The worker builds concrete dreams between buildings and soccer balls in a lowland field in Recife. The poet receives a word ball, gives a literal stroke and makes an imaginary goal in this film about football, passion and poetry. João Cabral's America goes beyond the four lines of the field or paper, it transcends time and the field; update the memory to the fact that the love of football will not be volatile or ephemeral, neither in defeat nor in victory.

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Rio de Janeiro, in the period in which the Police Pacification Units (PPUs) were beginning to be deployed in the city. Edna (Lilia Cabral) is the mother of Julio (Pedro Nercessian) and Silvio (Fiuk). One day she wakes up desperate to see that Julio just disappeared!

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Man and Woman are reunited after a long time. Sorrow and desire cannot break the silence. But that's okay: when words don't come, it's the body that speaks.

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An independent private security firm arrives at a middle-class neighborhood in Recife, Brazil.

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Dirceu, 30 years old, has origins that go back to the aristocracy of Northeast Brazilian backlands. Settled in a kind of subjective amnesia, Dirceu tries to bury his family's past. He is a demolition man in Recife, an urban landscape undergoing an uncontrolled process of transformation. Maria shares the same country origins, but she uses the city for a different purpose. She is a carefree and joyful music student. If Dirceu aspires to a world that is stable and present, Maria lives in discord with the present. To her, nothing is as it should be. Maria's apparition unleashes in Dirceu an urge for being somebody else. On a route of escape through the desert of the backlands, a unique encounter is set to happen. Boa sorte, meu amor (Good luck, sweetheart) is an anti-romance of the impact between music and silence.

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Flavio Danillo is a personal trainer whose students attend him at the gym. At home, Flavio works his body into a state of decay. Suddenly, his body no longer responds his mind taking over control.

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In tropical Recife, in northeastern Brazil, temperatures drop to impossible lows and the inhabitants have to adapt. This 'mockumentary' gradually turns critical, looking at the climate, urban development and social interaction from every angle. Does a ray of sun pierce the clouds, after all?

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