Lotte Hermann

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

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A boy, as seen through three ages and episodes of his life: as a small boy having a boy cousin as his house guest, as a high-school boy in abject love, and as a young stud trying to bed down a nurse.

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Christian is a nice man climbing the career ladder. His brother Mikael, on the other hand, is a petty criminal who hustles his way through life as best he can. When Mikael dies, Christian feels responsible and, in order to get to know his deceased brother better, he seeks out the underworld Mikael belonged to. He should never have done that.

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Being yourself – and above all your own master – that is what the film is about. After a short stay at a girls' home, Annie returns to society and has to adapt once again. It isn't long before Annie gets involved in a deadly fight and is even taken to the police station and brought before the court. Fortunately, one of the jurors takes an interest in her and offers to take care of her and give her a home. However, Annie cannot stand this home and runs away.

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A poor dandy embezzled large sums of money and buys the title Marquis De Sade to impress the upper class. The film premiered as "I am a Marquis."

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Azerbaijan, 1919. The British hope to secure control of the vast oil fields around Baku by launching a series of terrorist attacks on them. Hans Romberg, a German who is working as a security officer, battles with the British chief agent Captain Forbes and his associates. (Description from Wikipedia)

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