Volker Schlöndorff

This year’s gallery of artistically inspiring portraits of uncompromising eccentrics (among them The Hanging of Stuart Cornfeld, Robert Richardson: The White Devil and A Pint of Ink) features another unobtrusive stand-out in the shape of Igor Luther, a key figure of Slovak and European cinematography. Ivan Ostrochovský’s perspective is rare, dynamic and also meditative, while Luther himself co-authored the project during the last few months of his life. Works such as Juraj Jakubisko’s Birds, Orphans and Fools, Volker Schlöndorff’s The Tin Drum and Andrzej Wajda’s Danton, in the persuasive words of their creators, wouldn't have the same timeless energy today if it weren't for Luther's visionary endeavours.

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Prominent filmmakers talk about documentaries that have moved, impressed, or had a lasting influence on them.

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Biographical documentary film presenting the silhouette and artistic path of the outstanding actor Daniel Olbrychski. The narrative of the main character is confronted with his colleagues and friends, in contemporary interviews, including: with Krystyna Janda, Jerzy Hoffman, Krzysztof Zanussi, Volker Schlondorff and Adam Michnik. The archival materials will include statements and excerpts from the realization of scenes from Andrzej Wajda's films. The film roles of the main character are intertwined with his private life.

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He is the despicable child killer in Fritz Lang's M. Drawing on testimonies and archives, this portrait sheds light on Peter Lorre's turbulent career and complex personality, unable to escape the monster that made him famous.

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An exploration of the life of Anita Pallenberg, European actress and rock ’n’ roll muse. Told in Anita’s own words, from her unpublished memoir, and in the words of her family, this bittersweet film is a never-seen-before look at life with The Rolling Stones.

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A look at the relationships and rivalries within The Rolling Stones in their formative years, as well as the creative musical genius of Brian Jones, key to the success of the band.

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Driven by extensive archive material and interviews with those who know her, this is the astonishing story of how a triple outsider – a woman, a scientist, and an East German – became the de facto leader of the “Free World”, told for the first time for an international audience.

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With exclusive behind-the-scenes access into Herzog’s everyday life, rare archive material and in-depth interviews with celebrated collaborators – including Christian Bale, Nicole Kidman, and Robert Pattinson, we are given an exciting glimpse into the work and personal life of the iconic artist.

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A genius inventor of forms, Alain Resnais is one of the fathers of cinematic modernity. This portrait, rich in archives, looks back on the career of a discreet non-conformist, in perpetual search of renewal to fight against anxiety.

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From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.

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Austrian actress Romy Schneider (1938) and French actor Alain Delon (1935), once fervent lovers in the early sixties, maintained a close friendship and a certain working relationship after their breakup until her death in 1984: a universal and eternal love.

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Born in Berlin in 1896, Lotte Eisner became famous for her passionate involvement in the world of both German and French cinema. In 1936, together with Henri Langlois, she founded the Cinémathèque Française with the goal of saving from destruction films, costumes, sets, posters, and other treasures of the 7th Art. A Jew exiled in Paris, she became a pillar of the capital's cultural scene, where she promoted German cinema.

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The life and work of the brilliant German filmmaker Volker Schlöndorff, a cross-border artist who, by leaving Germany and making the whole world his place of work, acquired the objective perspective necessary to portray his country's society better than anyone else while providing a unique and original point of view on the troubled history of the European continent.

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Near Munich, in Bavaria, Germany, is the Schleißheim Palace, where French filmmaker Alain Resnais shot his film Last Year at Marienbad in 1960. Nearby is the Dachau concentration camp, where thousands of people were killed between 1933 and 1945. An essay about the present and the past, beauty and horror, life and death.

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Like nobody else Jean-Pierre Melville influenced modern filmmaking. This documentary follows his creative process step by step, showing him becoming the father of the Nouvelle Vague and one of the most iconic directors of French cinema.

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The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?

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For the USA, World War 2 was an all-out war - to mobilize the masses, the US government launched a huge propaganda campaign and cinema, the medium of the masses, was quite simply their most important weapon. Government authorities monitored the production of feature films and the military itself produced documentaries aimed at rallying the American people to support the troops. This film tells the story of four Hollywood directors of European origin, who returned to the "Old World" during the Second World War to make propaganda documentaries for the US Army at the front: William Wyler from Alsace, Frank Capra from Italy, Anatole Litvak from Ukraine and - in post-war Germany - Billy Wilder from Austria.

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West Germany in the 1970s. Many artists, journalists and intellectuals were branded as sympathizers of Baader-Meinhof's left-wing terrorism. The parents of the director, too: Margarethe von Trotta and his stepfather, Volker Schlöndorff. With extensive archive materials and film clips as well as Margarethe von Trotta's private diaries the film portrays one German family and the society of the time.

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A funny walk through the life story of Billy Wilder (1906-2002), a cinematic genius; a portrait of a filmmaker who never was a boring man, a superb mind who had ten commandments, of which the first nine were: “Thou shalt not bore.”

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An account of the life and work of legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey through the great moments of cinema, from Italian neorealism to the masterpieces of Woody Allen.

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Documentary of German electronic musical group Tangerine Dream.

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An unparalleled portrait of Arthur Miller (1915-2005), a major writer who left an indelible mark on the world. Miller's life is intimately connected with the great themes that marked the 20th century. Glamour, fame, social criticism and Marilyn Monroe.

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Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)

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In this feature-length interview, conducted by Robert Fischer in February 2015, Volker Schlöndorff talks about the making of his film BAAL (1969), based on the first play ever written by Bertolt Brecht. He describes his working relationship with Rainer Werner Fassbinder and his group of actors and how the Brecht family hated the film when it first came out, resulting in BAAL’s inavailability for over 40 years.

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A film portrait of the influential Bavarian actor, director, and screenwriter who publicly confessed his homosexuality, which chronologically covers all the important stages from Action-Theater to the director's early death, supplemented with anecdotes.

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Thirteen filmmakers share personal reflections on Henri Langlois—the visionary founder of the Cinémathèque Française—recounting his influence on their lives, his role in preserving film history, and his enduring impact on world cinema.

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Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.

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Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

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A plot of land, a house by the lake, its changing inhabitants. This one plot of land reflects 70 years of German history from Weimar, the Nazis, the war, the Soviet occupation and reconstruction to the fall of the GDR.

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Together with African small farmholders Tony Rinaudo, an Australian agronomist, has been fighting against the spread of the desert for 30 years and challenges ideas of conventional reforestation with his simple yet effective method.

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The retired Chief superintendent Jakob Franck who often had to inform relatives as a "death messenger", now hopes to lead a life beyond the dead.

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Author Max Zorn, now in his early 60s, is on a promotional book tour in New York when he encounters the woman he could never forget. They spend a weekend together, seventeen years have passed. Can there be a future for their past?

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On the night of August 24, 1944, the fate of Paris rests with General von Choltitz, who plans to destroy the city on Hitler's orders. As the general prepares to detonate explosives throughout the capital, Swedish consul Raoul Nordling uses diplomacy in a desperate bid to convince him to defy the orders and save Paris.

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October 1941. Eighteen months into France’s occupation by German troops, young Communist members of the Resistance shoot dead an officer of the German Army. In retaliation, Hitler demands the deaths of 150 Frenchmen, as 'retribution'. The targets are to be mostly young men believed to share the assassins’ political convictions. Most of these men are taken from an internment camp for opponents of the occupation; a 35-year-old French rural administrator is ordered to select the victims. Although the parish priest appeals to their conscience and moral sensibilities, both the German military and their French helpers slavishly follow their orders.

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A documentary about the film Last Year at Marienbad

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Austrian television director Fritz Lehner makes his feature debut with the big-budget drama Jedermann's Fest, based on the 1911 play by Hugo von Hofmannsthal, which in turn was based on a medieval tale. Originated in parts of England, the myth of Jan Jedermann ("John Everyman") deals with a rich man on his deathbed coming to terms with his life's failures. Not following much of a plot, the modernized version involves famous fashion designer Jedermann (Klaus Maria Brandauer) imagining his last big gala event while rendered unconscious as a result of a car accident in his Ferrari. He is a success in Vienna but not in fashionable Paris, so he wishes to impress French elder stateswoman Yvonne Becker (Juliette Greco).

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Radical West German terrorist Rita Vogt abandons the revolution and settles in East Germany with a new identity provided by the secret service. She lives in constant fear of having her cover blown.

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This is another variation of the Cinderella story: the bright and beautiful Ella lives in the household of a lord since her mother died. She's unhappy because the lord's daughters treat her like their servant. The country is in problems, because the prince is a dreamer and doesn't realize that his chancellor abuses his power. When the day nears the prince is forced by law to find a wife, a celebration on a frozen lake is arranged. Ella manages to skate on the lake for him too, hiding her identity. The prince falls in love with her, so he tries to find her. His chancellor attempts to hinder them, since he knows about Ella's critical thoughts.

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Frenchman Abel Tiffauges is a naive man who lives a simple life working as a mechanic. Falsely accused of being a child abuser, he is recruited as a soldier when World War II begins, but is captured soon and taken to the heart of Nazi Germany.

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April 1957: Rational engineer Faber's plane crashes in Mexico, where he learns that he became a father in 1938. He takes a ship from NYC to France and meets cute, young Sabeth. Is it fate?

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The third episodic film, after Deutschland im Herbst and Der Kandidat, in which notable German filmmakers reflect on the state of their country. A collage of documentary and dramatised sequences dealing with such topics as overkill, peace demonstrations, NATO arms policy, and life after the next war.

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To escape his crumbling marriage, German journalist Laschen travels to Beirut during the fights between Christians and Palestinians to produce an essay. Together with his photographer, he meets some influential people and discovers the everyday face of the war.

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Made with an eye to the autumn of 1980 when the German parliamentary elections took place, The Candidate examines Germany’s history past and present and Franz Josef Strauß, the man who, as the CDU/CSU candidate, aspires to be elected to the most important political office in the land.

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In 1924, Oskar Matzerath is born in the Free City of Danzig. At age three, he falls down a flight of stairs and stops growing. In 1939, World War II breaks out.

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Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

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“Grotesque dancer” Valeska Gert speaks with inimitable repartee and typical Berlin brashness about her scandals and the people she met. She recreates her grotesque dances and pantomimes for the camera with the young Nastassja Kinski.

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Adaptation of a story by Henry James.

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After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.

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An adaptation of the Henry James short story Les raisons de Georgina.

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A divorced thirtysomething woman fights a losing battle in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women.

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Ruth is the wife of well-heeled corsetry manufacturer Erich Halbfass. As business booms, Erich lives frivolously and their daughter Aglaia attends school. The bored middle-class wife begins a secret affair with Aglaia's drawing teacher, setting murder and manslaughter in motion.

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In an attempt to escape 19th-century poverty, eight farmers and day laborers attack a prince's money transport in the Hessian Hinterland.

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An exploration of the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

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In medieval times, a horse merchant is forced by a noble to leave part of his stock as payment for crossing his land. Upon returning, he finds his horses near death, and when the noble refuses to compensate him, the merchant fights unsuccessfully against the injustice.

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Five film directors were given the task of making short films based on titles of drawings by Paul Klee.

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After accidentally killing her ex-lover during a fight, Marie enlists the help of a stranger and his friend to dispose of the body while becoming intimate with both men.

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At an Austrian boys' boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil's acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics' Prize for first-time director Volker Schlöndorff.

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In the Frankfurt area, La Main Rouge hunts for Algerian soldiers who had deserted from the French army and fled across the German border.

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