Ruth McKenney

With a keen sensitivity to the demands and specificities of the American “musical”, and after the triumph of Sondheim’s Follies in 2015, the Opéra de Toulon once again embarked on a Broadway adventure with the French premiere of Bernstein’s Wonderful Town, and brought back for the occasion stage director Olivier Bénézech, a major connoisseur of the genre. A true declaration of love to the city of New-York, Wonderful Town tells the tale, with a boisterous rhythm and vast amounts of jazzy tunes, of two sisters from Ohio looking for success and glory in the big city. Lighter in tone than later works like West Side Story or Candide, its smart combination of the different musical traditions one could hear when wandering in the streets of New-York, its accomplished orchestral writing and colouring, and its vivid sense of comedy earned it no less than five Tony awards when it premiered in 1953.

Open details →

In 1906 in Connecticut, Elisha Hunt, the 55-year-old curator of a small government museum, marries Abigail, the 19-year-old daughter of a local farmer. In addition to the differences in their ages in this May-to-December union, Elizha is a man of culture while Abigail is uneducated. Bruce Edridge, young, handsome and wealthy, comes into her life, and they fall in love. Abigail is now faced with two choices; the chance of wealth versus her present mediocre circumstances, or her love for Bruce versus her loyalty to Elisha.

Open details →

A psychology professor comes up with a theory that women have a desire to be subjugated. A newswoman, using a pseudonym, accuses him of advocating wife-beating. There is trouble, when he falls in love with her, unaware of who she is.

Open details →

A woman reminisces about her teenage years in the 1920s, when she fell in love with her teacher.

Open details →

A harried daughter tries to keep her wacky family together while trying to sell her eccentric father's latest invention, a collapsible life raft.

Open details →