Pamela Sholto

In the late 1950s, British police officer Tony Aaron resigns from the force after sleeping with Hazel, wife of the man whose house he was supposed to guard. In his new job as a fake private investigator, he helps couples get divorces by photographing Hazel having "affairs" with the husband. When she is murdered during a job, Tony begins having an affair with the dead man's mistress, Angeline, while trying to prove his innocence.

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A hedonistic man finds a mysterious puzzle box that summons a group of gruesome beings known as the Cenobites. These otherworldly entities open the doors to a dominion where pain and pleasure are indivisible.

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Bread is a British television sitcom, written by Carla Lane, produced by the BBC and screened on BBC1 from 1 May 1986 to 3 November 1991. The series focused on the devoutly-Catholic and extended Boswell family of Liverpool, in the district of Dingle, led by its matriarch Nellie through a number of ups and downs as they tried to make their way through life in Thatcher's Britain with no visible means of support. The street shown at the start of each programme is Elswick Street. A family called Boswell had also featured in Lane's earlier sitcom The Liver Birds and Lane admitted in interviews that the two families were probably related. Nellie's feckless and estranged husband, Freddie, left her for another woman known as 'Lilo Lill'. Her children Joey, Jack, Adrian, Aveline and Billy continued to live in the family home in Kelsall Street and contributed money to the central family fund, largely through benefit fraud and the sale of stolen goods.

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Strangers is a 1978–82 ITV police procedural created and principally written by Murray Smith, based on characters created by Kenneth Royce in his novel series and subsequent 1977–78 television adaptation The XYY Man. Don Henderson and Dennis Blanch reprise their roles, respectively, of Detective Sergeant (DS) George Bulman and Detective Constable (DC) Derek Willis. A group of police officers are brought together from across the country to the north of England. There, the fact that they're not well-known gives them the advantage to infiltrate where a more familiar local detective could not. Despite being based around a comparatively small team of detectives, a regular feature in its early years is that few episodes feature the entire team, with most using just two or three regulars in any major role.

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Corrie and Betsie ten Boom are middle-aged sisters working in their father's watchmaker shop in pre-World War II Holland. Their uneventful lives are disrupted with the coming of the Nazis. Suspected of hiding Jews and caught breaking rationing rules, they are sent to a concentration camp, where their Christian faith keeps them from despair and bitterness.

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The Onedin Line is a BBC television drama series which ran from 1971 to 1980. The series was created by Cyril Abraham. The series is set in Liverpool from 1860 to 1886 and deals with the rise of a shipping line, the Onedin Line, named after its owner James Onedin. Around this central theme are the lives of his family, most notably his brother and partner, shop owner Robert, and his sister Elizabeth, giving insight into the lifestyle and customs at the time, not only at sea, but also ashore. The series also illustrates some of the changes in business and shipping, such as from wooden to steel ships and from sailing ships to steam ships. It shows the role that ships played in affairs like international politics, uprisings and the slave trade.

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Doomwatch is a British science fiction television programme produced by the BBC, which ran on BBC 1 between 1970 and 1972. The series was set in the then present-day, and dealt with a scientific government agency led by Doctor Spencer Quist, responsible for investigating and combating various ecological and technological dangers. The series was followed by a film adaptation produced by Tigon British Film Productions and released in 1972, and a revival TV film was broadcast on Channel 5 in 1999.

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Jane is young, French, pregnant and unmarried. Bucking convention, she is uninterested in settling with her baby's father or getting an abortion. After renting a room in a dingy London boarding house, Jane befriends the odd group of inhabitants and starts an affair with one boarder, Toby. As Jane's pregnancy threatens her new relationship, and the reality of single motherhood approaches, she is forced to decide what to do about both her baby and her budding romance.

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