Silvia Derbez

Rodrigo Junquera finds out he is close to death, he decides to ask the nanny of his young child, Virginia Martínez, a beautiful and honest woman, to marry him with the intention of preparing the road so she can look after his children when he's gone. Virginia has to deal with the contempt of Rodrigo's children who acuse her of being an ambitious woman who married their father for his money. Virginia is in love with Rodrigo's eldest son, Carlos Alberto, who has come to mistreat her after finding out she married his dad.

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The human and divine justice are exposed through five real life stories related to the legal processes of a prison. The cases presented are: "I want to stay in jail", "Blood between women", "The raped prostitute", "The kidnapped policeman", and "Euthanasia or murder?"

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Los hijos de nadie is a Mexican social drama telenovela produced by Miguel Sabido and Irene Sabido for Televisa and originally broadcast on Canal de las Estrellas from February 24 to June 20, 1997. Created by Miguel Sabido, with adaptation by Miguel Sabido, Verónica Suárez, Andrea Ordóñez, Rosa Ana Curiel, and Kary Fajer, the telenovela was supported by UNICEF to raise awareness about the situation of homeless children in Mexico. The story follows Doña Leonor, an elderly woman who loses her daughter and granddaughter in a tragic accident. Seeking to overcome her loneliness, she dedicates herself to helping a group of children living on the streets of Mexico City. Alongside Verónica, a young woman who brings hope to the children through her puppet shows, Leonor faces the challenges of poverty, abandonment, and the people who seek to exploit those most vulnerable.

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85 episodes (1994). Cristina Carbajal is a woman who has paid an unjust sentence for having been wrongly blamed for the death of her husband. After ten years locked up, she manages to get out of prison for good behavior. Her daughters Karina and Rosita, who were only five years and one year old when her mother was incarcerated, are now 15 and 11 years old. They have been raised by her father's uncles, Braulio and Eloisa Monasterios. The Monasteries hate Cristina, since they believe that she is responsible for the death of her nephew, and they have told the girls that they are orphans.

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Diego is a young musician who lives the terrible death of his uncle to AIDS. While in his deep depresion he meets Gabriela, which brings back a smile to his face. Just when life seems more promising than ever, one beutiful night death once again took a toll on his life. It seems as though the phantoms of the past are never going to let him go.

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Young Gloria is abused by the Vitorina, hospice caretaker hosting it. She forces her to perform the heaviest tasks. Gloria is only happy in music class. When she grows decides to escape, and now she lives on the street with another girl, both singing in the trucks and try to survive.

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The story begins in a small town in rural Mexico, home to Maria López—a humble, dreamy young woman of indigenous descent—who decides to leave her village for Mexico City in search of work and a better life. Upon arriving in the capital, she begins working as a domestic helper in mansions across wealthy neighborhoods, using her earnings to pay for sewing classes. At one of these homes, she meets Juan Carlos del Villar, a playboy who seduces and wins her over.

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Papá soltero was a series on the Televisa network that began on February 11, 1987 and ended on July 6, 1994. It was produced by Luis de Llano Macedo and broadcast on Canal de las Estrellas It was starred by César Costa, along with Luis Mario Quiroz, Edith Márquez, Gerardo Quiroz, with stellar performances by José Luis Cordero, Aurora Alonso and Octavio Galindo.

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Three greedy relatives scheme for an inheritance and frame the good guy for the murder of the maker of the will.

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Mother works as a servant to send her daughter to an expensive private school. Naturally, the daughter meets the son of her mother's employer at a mixer...

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Ramon is a guy who lives in a neighborhood, in the " fifth courtyard " in urban poverty. Nevertheless, aspires to the love of the daughter of his employer, a woman of another social class.

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Cesar Rubio, a school teacher in the city, is fired for staying true to his ideals and values, and is also accused of encouraging rebellion among his students, who were demanding the principal's resignation through a strike.

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Two young sweethearts get tangled up with a bad guy and a stolen necklace.

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A young woman gives herself to her boyfriend but is forced to marry an army officer, who takes revenge on him.

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A humble tramp is turned, for a couple of days, into the richest and most famous man in México.

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The story of a group of young people and the problems they face in modern society slowly begins to decline, due to family disintegration and loss of values.

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Eloisa works hard, sewing, to his son Juan de Dios. He learns that he is the bastard son of Cecilio, who owns almost a whole town named: San Juan de Dios, Durango.

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Irresponsible playboy seduces a decent young lady with a fake wedding; he continues being a creep for the next 12 or 15 years.

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Going out for a drink with the guys after work, a salaryman get in over his head with a gangster's moll and a murder.

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A woman accused of murder refuses to defend herself in any way, in order to avoid tarnishing the family name and the reputation of her long-lost son.

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Everything-but-the-kitchen-sink melodrama: young widow suffers everything life can throw at her.

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A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

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A pregnant parishioner can't get her boyfriend to marry her and the home office thinks that foundling girl the priest took in is too old now to live under the same roof with him. It's always something, ain't it?

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Amanda, a widow, is a beautiful woman that finds comfort seducing every man in her path, including her daughters' boyfriends.

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Lower-middle-class ligger rescues a girl from her abusive father and practices for a high-profile dance contest.

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Returning to his home town, seminarist Miguel is forced to trade the robes for a charro costume in order to solve several problems that appear in his way, including the female kind.

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Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.

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