Ann Robinson

Often called the worst director in the history of cinema, Ed Wood is nevertheless a beloved figure among cult-film aficionados for his oddball productions. This documentary takes a look back at Wood's unique career at the margins of 1950s Hollywood, speaking to those who loved him and hated him. Bela Lugosi Jr. discusses his father's work in the abysmal "Plan 9 From Outer Space," while a Baptist reverend recalls how he was tricked into financing the film.

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A silent film character is stuck in a German theater and wants to return to his film.

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Humanity must resume its war against the Martians when they revive after decades of hibernation following their defeat in the 1950s. The fate of Earth may very well rest in the hands of a small yet courageous band: astrophysicist Harrison Blackwood, paraplegic computer wizard Norton Drake, microbiologist Suzanne McCullough and military man Paul Ironhorse.

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Set in the '50s in a movie theatre showing a serial called "Space Patrol," this particular episode being "Back from the Future." The evil scientist on the serial goes back to the '50s and his crew members have to chase him. Meanwhile at the theatre, patrons busy themselves doing strange things. An alien has landed and is eliminating theatre staff and patrons.

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Sergeant “Pepper"” Anderson, an undercover cop for the Criminal Conspiracy Unit of the Los Angeles Police Department, poses undercover from mob girl to prostitute.

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Surfside 6 was an ABC television series which aired from 1960 to 1962. The show centered on a Miami Beach detective agency set on a houseboat and featured Troy Donahue as Sandy Winfield II; Van Williams as Kenny Madison; and Lee Patterson as Dave Thorne. Diane McBain co-starred as socialite Daphne Dutton, whose yacht was berthed next to their houseboat. Margarita Sierra also had a supporting role as Cha Cha O'Brien, an entertainer who worked at The Boom Boom Room, a popular Miami Beach hangout at the Fontainebleau Hotel, directly across the street from Surfside 6. Surfside 6 was in fact a real address in Miami Beach, where an unrelated houseboat was moored at the time; it can also be seen in the sweeping aerial establishing shot of the Fontainebleu in 1964's Goldfinger.

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Johnny Midnight is an American crime drama that aired for one season in syndicated from January to December 1960. The series stars Edmond O'Brien as the title character.

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In 1940s New York, a white widow who dreams of being on Broadway has a chance encounter with a black single mother, who becomes her maid.

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The tale of trail boss Gil Favor and his trusty foreman Rowdy Yates as they drives cattle across the old west. Along the way they meet up with adventure and drama.

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Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

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The Texan was a Western television series starring popular B movie actor Rory Calhoun, which aired on the CBS television network from 1958 to 1960.

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Peter Gunn is an American private eye television series. Filmed in a film noir atmosphere and featuring Henry Mancini music that could tell you the action with your eyes closed, Peter Gunn worked in style. Known as Pete to his friends and simply as Gunn to his enemies, he did his job in a calm cool way.

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Louisiana's governor asks war hero Francis C. Grevemberg to lead the state police against corruption.

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The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

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Sugarfoot is an American western television series that aired on ABC from 1957 to 1961. The series stars Will Hutchins as Tom Brewster, an Easterner who comes to the Oklahoma Territory to become a lawyer. Jack Elam is cast in occasional episodes as sidekick Toothy Thompson. Brewster was a correspondence-school student whose apparent lack of cowboy skills earned him the nickname "Sugarfoot", a designation even below that of a tenderfoot.

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A former outlaw must prove himself innocent after he's accused of bank robbery. Western.

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A terrified stewardess is stalked by her psychotic estranged husband.

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Recently discharged cavalry sergeant Chad Santee joins his brother, Jubal, and discovers that Jubal is a wanted outlaw. On the way he meets Rose Fargo and rescues her from the unwanted advances of a gambler, "Blackjack". When Chad and Rose arrive they find that Jubal and his partner, Shawnee, are really rustlers and outlaws. Jubal tries to get Chad to join them but he refuses, and leaves to set up his own homestead with Rose at his side. Later, the repentant Jubal comes to join him. Shawnee, angry at what he considers a double-cross, attacks the brothers with his gang.

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Fury is an American western television series that aired on NBC from 1955 to1960. It stars Peter Graves as Jim Newton, who operates the Broken Wheel Ranch in California; Bobby Diamond as Jim's adopted son, Joey Clark Newton, and William Fawcett as ranch hand Pete Wilkey. Roger Mobley co-starred in the two final seasons as Homer "Packy" Lambert, a friend of Joey's. The frequent introduction to the show depicts the beloved stallion running inside the corral and approaching the camera as the announcer reads: "FURY!..The story of a horse..and a boy who loves him." Fury is the first American series produced originally by Television Programs of America and later by the British-based company ITC Entertainment.

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Jim Newton and his adopted son Joey navigate life on the Broken Wheel Ranch, with their close bond to the wild black stallion Fury.

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A television anthology series hosted by Alfred Hitchcock featuring dramas, thrillers, and mysteries.

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Cheyenne Bodie was a big man, a former army scout who went west after the American Civil War and drifted from job to job, here a cowboy, there a lawman, and always a larger-than-life hero. CHEYENNE is an American western television series of 108 black-and-white episodes broadcast on ABC from 1955 to 1963. The show was the first hour-long western, and in fact the first hour-long dramatic series of any kind, with continuing characters, to last more than one season. It was also the first series to be made by a major Hollywood film studio which did not derive from its established film properties, and the first of a long chain of Warner Brothers original series produced by William T. Orr.

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The Life and Legend of Wyatt Earp is a television western series loosely based on the life of frontier marshal Wyatt Earp. The half-hour black-and-white program aired for 229 episodes on ABC from 1955 to 1961 and featured Hugh O'Brian in the title role.

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An anthology series that explored the ways sudden and unexpected wealth changed life for better or for worse. It told the stories of people who were given one million dollars from a benefactor who insisted they never know him, with one exception.

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Live television broadcast of the world premiere. Described by various participants as the biggest world premiere in memory, even bigger than the Academy Awards.

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Studio 57 is an American anthology series that was broadcast on the now-defunct DuMont Television Network from September 1954 to September 1955, and in syndication from 1955 to 1956.

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Two homicide detectives try to find just the facts behind a mobster's brutal murder.

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Rocky Jones, Space Ranger was a syndicated science fiction television serial originally broadcast in 1954. The show lasted for only two seasons and, though syndicated sporadically, dropped into obscurity. Because it was recorded on film rather than being broadcast live as were most other TV space operas of the day, it has survived in reasonably good condition. The film format also allowed more elaborate special effects and sets, exterior scenes, and much better continuity.

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A doctor returned from the Korean War must choose between joining a glamorous practice and helping the poor.

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