Liu Xiaodong

A terminally ill father is searching for his lost son.

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The contemporary Chinese artist Liu Xiaodong traveled to the border of the United States and Mexico for his new painting project. Faced with complicated border and refugee issues, a foreign country, and stranger people, he used his Chinese sensibility and artist’s simplicity to find inspiration for his creation.

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With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.

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One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).

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Jia Zhangke travels with painter Liu Xiaodong from China to Thailand as they as they meet everyday workers in the throes of social turmoil. Liu Xiaodong is well-known for his monumental canvases, particularly those inspired by China's Three Gorges Dam project. Jia Zhangke visits Liu on the banks of Fengjie, a city about to be swallowed up by the Yangtze River. The area is in the process of being "de-constructed" by armies of shirtless male workers who form the subject of Liu's paintings. Liu and Jia next travel to Bangkok, where Liu paints Thai sex workers languishing in brothels. The two sets of paintings are united in their subjects' shared sense of malaise in the face of the dehumanizing labor afforded them.

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While the Emperor needs the Little Buddha - hidden amongst the little monks at the Shaolin Temple - to save him from a deadly disease, King Fifth, who wants to become the Emperor himself, treks to the Shaolin Temple with the intention of killing the Little Buddha. While escaping from King Fifth, the little monks have a number of adventures, including learning Drunken Fist style kung fu.

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A portrait of urban anomie focusing on two bohemian artists who drift through the miasma of old Beijing in the 1980s.

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A rock musician looks for his girl-friend who left while pregnant, trying to decide whether to keep the baby.

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Student film by Zhang Yuan, shot on 35mm film.

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