María José Demare

A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.

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A story that recalls the great era of Argentine cinema of the 40s and 50s and the famous San Miguel Studios, where great figures of national and foreign cinema worked. The sad episode of the demolition of studios is passing in front of the memory of a film director, who with great nostalgia relives moments that are impossible to forget.

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Manuel travels to the small fishing village where his recently deceased wife, Paula, spent her childhood. There he meets Rosa, the owner of a restaurant; Héctor, whom he entrusts with rebuilding his wife's dilapidated family home; Toto, a colorful and helpful fisherman who was Paula's schoolmate; and Julia, a young architect who lost her daughter shortly after birth, and with her all hope of happiness.

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City of Rosario. After three decades in prison together in the same cell, Tito and Castor are released. Outside the youth's friends await, as well as mines, tango, nights of drunkenness and a suitcase full of money hidden in the Parana River. They will try to seize the time and live every second trying to retrieve each of those thirty years behind bars. And when things become complicated they will cover each other as they always did.

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The film is a fictional chronicle of a resonant police case that occurred in the city of Catamarca: the crime of the young María Soledad Morales, which had great public repercussion due to the links with the power of the culprits.

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Raúl is a construction worker who fights for the social rights of his profession. He also deals with other problems, including his 17-year-old daughter's pregnancy.

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A dynamic young man falls in love with his own boss, a married businessman, with two children.

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Argentina's turbulent political history is an uncredited but clearly present protagonist in this rather slow-paced story about Ramon (Oscar Martinez) and his search for his brother Pedro in the capital city of Buenos Aires. Pedro has disappeared at a time of upheaval, after a military junta takes over Argentina in 1976, killing thousands of leftists and dissidents. Unlike many others, Ramon's father has political ties that matter, but that may not change Pedro's fate, which could be death -- or like some who have been tortured, worse than death. This film was nominated for a Golden Bear award at the 1985 Berlin Film Festival.

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Paloma is a girl from the neighborhood who dreams of success singing tangos. Until one day, two old friends inherit a mansion in San Telmo where they long to open a bar with Paloma as the star. The endless financial difficulties cannot be resolved with just a strong will, so they decide to turn to Alfredo Lucena, a businessman with important connections. The businessman immediately falls in love with the young woman and decides to help her achieve a successful career. But on her long-awaited debut, Paloma meets Diego, an orchestra pianist who manages to discover the girl's soul.

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In Buenos Aires, Argentina, Isidoro Vidal and his friends, who are in the transition between maturity and old age, watch in stupefaction and helplessness as gangs of extremely violent young men roam the streets murdering elderly people with absolute impunity.

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The film recreates the arrival of a group of Jewish immigrants fleeing persecution in Czarist Russia, establishing the first Hebrew colonies in the province of Entre Rios, Argentina.

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Based on the life of María Salomé Loredo, a figure famous for her healings and assistance to the poor of the late nineteenth and first half of the twentieth century.

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A military from Salta returns with unitary troops to his province and must surround the stay of a federal supporter

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A legend of curses and death in an austere and dry desert where rain will not fall. The story focuses on the experiences and misery of an indigenous man who meets his death in the middle of the film. The dead time and the morosity of the story operate as the stylistic foundation of this indispensable national film that was shot in Patquía, La Rioja.

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Set in Buenos Aires in the 1940s, it showed the formation, rise and fall of a criminal gang.

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A gambling priest opposes a group of scammers.

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A group of youngsters, encouraged by their teacher, starts with guerrilla actions.

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