José Luis Garci

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Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.

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After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

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Dr. Molinos, a prestigious cardiologist, and his wife Isabel are going through a serious marital crisis. They live in Oviedo, in the oppressive Spain of the 50s, in the company of two maids: Escolástica and Jovita. His only daughter, Maribel, entered a convent of nuns. The unexpected love felt by Dr. Molinos for Julia, a young doctor who is much younger than him, makes him feel alive again.

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TVE broadcasted this program on the occasion of the first centenary of the history of cinema, a feature film was broadcast weekly that, due to its characteristics, was of interest within the cinematographic world, directed and moderated by José Luis Garci, with the assistance of three experts , belonging to the world of cinema and literature, which debated following the screening of the chosen film.

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A group of nuns find an abandoned baby girl at the doorstep of their convent.

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A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

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A 50-year-old playwright (Jesus Puente) bemoans his fate from his secluded home in Northern Spain in this depressing drama. Side plots include an actress and former acquaintance who comes to visit and his amorous diversions with a 20-year-old local woman.

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Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

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Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

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A Nobel prize winner returns to his natal city looking for his home.

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Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

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Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

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José is a happily married executive, with children, a flat in Madrid and a house in the suburbs. It's Friday and the weekend seems to follow the usual pattern: football match with mates, travel to the mountains and family visit. Nevertheless, José feels no motivated by his routine, he no longer distinguishes leisure from their obligations, all of which result in an unexpected final decision by his attentive wife.

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Jose, a journalist and radio broadcaster, runs a daily program which has garnered a huge national audience as a satirical chronicle of Spanish society in the democratic transition of the late 1970s. Married and separated from Elena, Jose has two children, whom he only sees from time to time. Then he meets Maite, younger than him, outgoing and more open-minded than he wants. The emotional shock caused by his relationship with these two women will change his pessimistic view of life.

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Joseph and Helen, who had been boyfriends, there meeting some years later and fall madly in love again, but now the two are married. His hard and clandestine love story addition is determined by the circumstances of the times in which they have lived: the last years of the Franco regime and the beginning of the transition.

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A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

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Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

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The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.

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Two speleologists, Esteban and Pedro, travel to a mountainous area located in northern Spain, near a small village, to study a newly discovered cave and determine if it is of scientific interest, while Gabi, Esteban's wife, awaits their return on a lonely road at the foot of the mountain.

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TVE broadcasted this program on the occasion of the first centenary of the history of cinema, a feature film was broadcast weekly that, due to its characteristics, was of interest within the cinematographic world, directed and moderated by José Luis Garci, with the assistance of three experts , belonging to the world of cinema and literature, which debated following the screening of the chosen film.

Open details →

A group of nuns find an abandoned baby girl at the doorstep of their convent.

Open details →

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

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Drama based on the true life of a group of middle class and members of the Communist Party of Spain, who were involved in clandestine political activities during the sixties.

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The young Enrique leaving to study at the University and is married to Juana. One day he meets a painter who takes Enrique into another life and confused begin to think about taking some drastic measures.

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Enrique is a thirty-year-old lawyer who is married to Ana. Apparently he is a normal man who has only one obsession: the commercials. He feels a real passion for the erotic world of the ads either in billboards, trash cans, public transport, magazines or television. The continuous publicity bombardment ends up leading him towards a neurosis that changes his personality.

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Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.

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Salva works as security guard in an industrial estate on the outskirts of Madrid. There he meets Leo, a woman who makes a living collecting cardboard. As Salva falls in love with her, Leo's dark past comes back to haunt her.

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Yoyes, the first woman to hold responsibility positions within ETA, returns from exile in Mexico and try to rebuild her life. But her return is not easy.

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The action takes place in the year 2068, in which the head of a corporation governed chaotically the Southern Cone of the Americas. Dr. Crux is an old rebel scientist and his son John Crux must become the hero expected to fight the evil and its minions.

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In June 1983 the journalist and TV presenter Enzo Tortora was arrested on charges of drug trafficking and belonging to the Camorra.

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Yerma is desperate to have children, so when a psychic advises her to look outside her marriage to conceive, what can she say but yes?

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After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

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1947, in Patagonia, in a little village on the seaside. An abandoned house on the beach shelters Letty's dreams, her loneliness that only Miguel, a very young pianist, may share with her. Tomas, her husband, loves Letty and eagerly defends her against all the village, while she keeps playing her part of a 'femme fatale' with a romantic past and a very adventurous file. But on a windy day, a handsome and strange foreigner appears, coming from the sea, a man just as those Bette Davis used to fall in love with. For Letty, reality begins to look like the most incredible dreams of her. But this will call the police inspector's attention. With that mysterious spy, Letty will be involved in a story that will end as those stories she was so fond of when she was going to the movie theater of her little willage.

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Dr. Molinos, a prestigious cardiologist, and his wife Isabel are going through a serious marital crisis. They live in Oviedo, in the oppressive Spain of the 50s, in the company of two maids: Escolástica and Jovita. His only daughter, Maribel, entered a convent of nuns. The unexpected love felt by Dr. Molinos for Julia, a young doctor who is much younger than him, makes him feel alive again.

Open details →

A group of nuns find an abandoned baby girl at the doorstep of their convent.

Open details →

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

Open details →

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In 1946, an irishman joins a group of 'gancheros' (wood workers) while they drive wood thru the Tajo river, discovering human solidarity.

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Julian Ruiz, a real estate salesman and amateur filmmaker, wrote in the company of Anne, his romantic wife, a script that could mean his professional film debut. Mayte, Secretary of sales of real estate, is in love with Julian and, in turn, Jorge Padilla, the head of both, who is married to Josephine, a consumer who buys everything even without knowing it serves, is attracted by Mayte.

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A 50-year-old playwright (Jesus Puente) bemoans his fate from his secluded home in Northern Spain in this depressing drama. Side plots include an actress and former acquaintance who comes to visit and his amorous diversions with a 20-year-old local woman.

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This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

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Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Open details →

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

Open details →

A Nobel prize winner returns to his natal city looking for his home.

Open details →

Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

Open details →

Drama based on the true life of a group of middle class and members of the Communist Party of Spain, who were involved in clandestine political activities during the sixties.

Open details →

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

Open details →

José is a happily married executive, with children, a flat in Madrid and a house in the suburbs. It's Friday and the weekend seems to follow the usual pattern: football match with mates, travel to the mountains and family visit. Nevertheless, José feels no motivated by his routine, he no longer distinguishes leisure from their obligations, all of which result in an unexpected final decision by his attentive wife.

Open details →

Jose, a journalist and radio broadcaster, runs a daily program which has garnered a huge national audience as a satirical chronicle of Spanish society in the democratic transition of the late 1970s. Married and separated from Elena, Jose has two children, whom he only sees from time to time. Then he meets Maite, younger than him, outgoing and more open-minded than he wants. The emotional shock caused by his relationship with these two women will change his pessimistic view of life.

Open details →

Joseph and Helen, who had been boyfriends, there meeting some years later and fall madly in love again, but now the two are married. His hard and clandestine love story addition is determined by the circumstances of the times in which they have lived: the last years of the Franco regime and the beginning of the transition.

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The Mona Lisa loses her famous smile, and so does the rest of the world.

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