Geraldine Winters

A bad 'teen mom" creates a monster in her child by leaving the TV on to serve as a babysitter. A twisted TV clown enters the child's psyche, leading to depraved violence as the persona of Bongo the killer clown emerges. Violence, topless nudity and gore in a psycho-dynamic plot. Bongo is a must see for fans of the genre. Director Geraldine Winters delivers a good story in a matrix of violent dark irony.

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Patient X was found wandering near a carnival one night, she is trying to tell her nurse at the asylum that a killer clown has escaped and is heading home and her own baby was taken from her. As "Snuffles" arrives home, his sister Dr. Wethers is holding a group therapy session for delinquent teens who all fear clowns. It turns into a a real confrontation of their worst fears. Patient X is trying to get out and join the mayhem at any cost

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A bad 'teen mom" creates a monster in her child by leaving the TV on to serve as a babysitter. A twisted TV clown enters the child's psyche, leading to depraved violence as the persona of Bongo the killer clown emerges. Violence, topless nudity and gore in a psycho-dynamic plot. Bongo is a must see for fans of the genre. Director Geraldine Winters delivers a good story in a matrix of violent dark irony.

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This is a dark Gothic story of abandonment, violence, drugs and rich dysfunctional kids.

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Muffy (Wells), Gyna (Smith) and LaQueefa (Ross) escape from a mental hospital and steal a 1965 Chevy Malibu convertible by telling the dorky driver he can have sex with them if he gets into the trunk. Meanwhile, they are chased by a bounty hunter hired by the psychiatrist who experimented with the ladies at the clinic. They hide in a house from which an escort service turns out to be run.

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Leaving their New Jersey home to capture the existence of space aliens on camera -- and to collect a $1 million prize -- the Ganes clan vanishes and is never heard from again. Shot in the vein of The Blair Witch Project with an improvised script and a premise that the movie is compiled from "recovered" footage filmed by the Ganes family, this 2003 comedy lampoons two of America's favorite obsessions: money and UFOs.

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