Pascual Condito

David Samaras, "el Griego", is the general producer of the popular talk show "Hoy se arregla el mundo", where supposedly ordinary people resolve relationship, couple, friendship, work, parent and child conflicts. The most enduring bond in his life is Benito, his 9-year-old son, the fruit of a casual relationship. The story changes completely when he learns that Benito is not his son. The search for the real dad will lead them to a crossroads much bigger than the one they set out to face.

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Unable to land a job as an airline pilot, Leonardo takes a job as a fumigator pilot at a farm in the countryside. On his very first night, he discovers the town harbors a deadly secret that will put everyone in danger.

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In the missionary jungle, Ismael Guzmán, a seasoned park ranger, patrols the reserve daily in search of poachers. Orlando Venneck is a beloved settler in the area and, like his ancestors, he is a hunter. Sara Voguel, a committed rural doctor, is married to Guzmán and used to be Venneck’s fiancee. Both venerate the mountain in their own way, but a jaguar appears and this generates a confrontation between them. Behind the tourist postcard of the park hides a world besieged by passions, conflicts of interest and fights. The spiral of violence will become inevitable and blood will flow.

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A day of fishing between a father and a son. Love, power, a failed fantasy, and a childhood song that continues to play like constant, repetitive music.

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After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.

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For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.

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A documentary portrait of film distributor Pascual Condito and the Argentine film industry. Condito argues that the film business has changed profoundly and that he, like other national distributors, may disappear from the market. A reality he discusses with many of the members of the Argentine film industry who pass through his iconic office. Tired of the difficult times his distribution company is going through, he makes a crucial decision that will allow him to continue in the world of cinema until the end of his life.

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A Spaniard in Argentina becomes aware of his approaching death while staying at a hospital, so he decides to run away from Buenos Aires and start a trip up North, heading nowhere in particular.

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Leo and María are expecting their first child and are about to move. María wants to give birth in her hometown, but Leo, upon learning that his father urgently needs a heart transplant, postpones the trip, takes him to live with him, and takes over the family business. His obsession with saving his father distances him from his own fatherhood and plunges him into a period of waiting that encompasses life, death, mourning for what was never, and the hope of what is still possible.

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Damián, Facundo, Luciano and Marcelo have been friends since childhood and they share the passion for classic rock and roll on vinyl records. Their relationship is also marked by other big subjects: friendship and girls. When one of them decides to get married the four lives stir up.

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Checo and Once are two difficult teenagers who live and survive in Buenos Aires after a nuclear explosion with which the film begins. It turns the world to ashes, bringing incomprehensible social changes. But for Checo and Once, who are used to an uncertain existence, not much changes in this post-apocalyptic world.

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Barbara’s behavior at school unlishes the suspicions of her teacher and the school psychologist, Sara. Talks at school with Sara, begin to reveal fears and darkness that the girl hides behind her eyes. Already convinced of her suspicions, Sara tries to get her superiors’ support as well as Barbara’s mother support to set her free out of her pain. Barbara’s mother denial, her own fear and the inaction of different institutions seem to be impossible barriers to overcome.

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A lonely and frustrated old woman offers a young student a deal that is difficult to fulfill: a house and food in exchange for a fluid daily conversation.

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The story tells of four moments in the lives of four women: Vera, rising journalist but dissatisfied with life, trying to be the best without knowing where; Lina, always surroended by incense and saints, looking for the love of his life in a television character; Mara Bestelli, who is artificially inseminated without telling her partner that lives abroad; and Inés, whose only goal in life is to marry regardless of the reason for this decision.

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A young Argentine learns that soccer star Diego Maradona is ailing in a Buenos Aires hospital, and resolves to bring him a tree root he's discovered.

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Pep Munné is an aging plastic surgeon who falls for a young female assistant (Mariana Anghileri) while attending a medical conference. Soon he begins inventing new reasons to spend more time with her. His wife Cristina (María Barranco) begins meeting with a psychiatrist (Jean Pierre Noher) in order to figure out what is going on in her marriage.

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Patagonia, Argentina. A mechanic who dreams of a different life begins to think big after his adopted puppy Bombón wins first prize at a local dog show.

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In the aftermath of the May Revolution, which sparked the end of Spanish colonial rule and the establishment of the first independent government in Buenos Aires, revolutionary leader Juan José Castelli is given the order to oversee the execution of former viceroy Santiago de Liniers. This pushes Castelli into a deep moral conflict, forcing him to confront the tension between revolutionary justice and personal conscience, as well as the human cost of political change.

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Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

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