Colette Renard

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

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Clodo, a gentle mongrel dog, isn't having much luck. His shaggy appearance has earned him the name of hobo. Often scolded by his Parisian masters for being a nuisance, his only consolation is Cathy, his youngest daughter. Unfortunately, she can't stop her parents from abandoning Clodo at vacation time. Fabien, a young farmer, takes the dog in, despite the hostility of his family. Fabien is secretly in love with his childhood friend, Arlène, "la demoiselle du château", who has left to study in Paris. But she returns home after a disappointment. Their relationship resumes.

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A butcher's boy, in love with the daughter of one of his neighbors, a penniless baron, finds himself in financial difficulties as he begins construction of a building on the land he has inherited.

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A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.

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Two women, Léa and Clotilde, with two men, Ludovic and Papillon, form a nice quartet of crooks. Their targets: pharmacists, diamond dealers, and gogos of all kinds who respond to enticing classified ads. Business is booming, but the police are watching. Commissioner Masson will eventually arrest them, but, ironically, for a matter of which they are totally innocent.

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Martine is a young woman plagued both by poverty and by uncaring, problem parents who in no way can provide the kind of nurturing that Martine needs during her adolescent years. As a result of her family situation, Martine runs away from home and gets involved with a group of teens and young adults from the wrong side of the moral tracks.

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Rich industrialist Jacques Decret learns his wife Gloria is having an affair with a young actor. For revenge, he bombards her with anonymous letters, convincing her that her lover is the culprit while Gloria desperately seeks a way out.

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An aspiring singer tries to break into films during the early talkie era. She is hired to dub the singing and speaking voice of a silent-movie favorite. Sworn to secrecy, the fill-in must stand by in silence as the star receives all the praises and plaudits.

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