Everett Burrell

Behind the scenes feature for 'The Phantom of the Opera' (1989). Included on the Shout! Factory blu-ray.

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A new, feature-length documentary, filmed for the Special Edition Scream Factory Blu-Ray Release of George Romero's 1985 film, Day of the Dead A small group of scientists and soldiers have taken refuge in an underground missile silo where they struggle to control the flesh-eating horror that walks the earth above. But will the final battle for the future of the human race be fought among the living or have they forever unleashed the hunger of the dead? Lori Cardille (Tales from the Darkside), Joe Pilato (Night of the Living Dead: Origins 3D) and Richard Liberty (The Crazies) star in this controversial classic with groundbreaking gore effects by Tom Savini.”

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The story of how one Pittsburgh boy’s fascination with monsters drove him to the very top of the Hollywood food chain. In 1989, Greg Nicotero, much to his parents’ chagrin, quit medical school and headed for Hollywood to pursue a dream of making monsters. Together with gore masters Howard Berger and Robert Kurtzman, Nicotero went on to create KNB EFX Group, one of the most prolific makeup effects studios in the world. After twenty years as the “go to guy” for the world’s most successful horror/sci-fi films, Greg Nicotero is the first one directors like Quentin Tarantino and Robert Rodriguez call.

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Whenever a solid "brain trust" around creature assembly exists, then the process behind crafting these monsters must've been interesting. This 13-minute featurette captures the process of crafting the concepts for the monsters, from the models assembled for the primary ideas to the separation of computer and realistic tangible effects. KNB effects did some really strong work here, even in the small ways that purely give actors inspiration for their performances.

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This 16-minute featurette focuses on CafeFX, the team behind the CG work in The Mist (as well as Del Toro's Pan's Labyrinth). They discuss a wide array of points, from matching models with the KNB creature crew to documentaries that inspired the designs. It's great to see a lot of the work-in-progress materials (grid assembly, texture work, etc), as it helps to appreciate exactly what pops up on screen. Furthermore, it also discusses a lot of the "mist" effects that play off of their environments

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Scene 35 can best be described as the point in which the muck hits the fan. It's a scene with unbridled chaos involving CG effects, creature models, stunts, coordination, dramatic character portrayals ... just about anything that could possibly go wrong in a scene. This feature shows how it came to be, how Darabont infused some last-minute ideas into its assembly, and how it wedged in as one of the stronger parts of The Mist.

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A documentary look at the makeup, practical, and CG effects in Guillermo del Toro's 'Pan's Labyrinth.'

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The sound of flapping bat wings, an empty coffin, glistening fangs, tiny punctures on the neck, the sensual taste of blood, a blank reflection, fear of the cross, and death from daylight. These are the creatures of the night, and as legendary (but fictional) vampire hunter Abraham Van Helsing exclaimed: "Gentlemen, we are dealing with the undead!" Perhaps the most enduring film genre of all time, vampire films continue to haunt us on the big screen. Why are we fascinated with the myth of these immortal souls? Could it be the living forever part, or perhaps the fact that they have an unearthly sexual attraction to both males and females? Whatever it is, audiences around the world can't seem to get enough of them.

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As the world is overrun by zombies, scientists and military personnel in an underground Florida bunker must decide on how they should deal with the undead.

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The official feature-length documentary about the rise and fall of Charles Band's legendary Empire Pictures studio.

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