Kent Jones

Legendary New York poet Ed Saxberger's forgotten works captivate an eccentric group of young creatives, reigniting his artistic passion. Their intrigue intertwines with the bewitching presence of actress Gloria.

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Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories.

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Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

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A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

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Martin Scorsese reflects on the profound influence of director Elia Kazan, tracing his artistic journey from the Group Theatre to Hollywood success and the controversies of the blacklist era. Co-directed with Kent Jones, the film combines interviews and clips from Kazan’s classics—On the Waterfront, A Streetcar Named Desire, and America, America—to portray him as a deeply personal filmmaker within an often impersonal industry.

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Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

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Filmmaker Martin Scorsese looks back over the impact of The Statue of Liberty on the Twentieth Century, her evolution, what she meant to people of the past, and what she continues to mean after September 11th, 2001.

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What does it mean, to go to the movies? Why have people been going for over one hundred years? I set out to celebrate movie theaters and their manifold magic. So I walked in the footsteps of young Paul Dédalus, as if in a filmgoer’s coming-of-age story. Memories, fiction, discoveries come together in an irrepressible torrent of pictures.

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"Shortly after Amos went into home hospice he began filming ‘Adios’, a short film, compiled of 16mm and Super 8 footage, to premiere at his memorial, chronicling all the family and friends who have come to visit. Even Courtney our absolutely wonderful hospice nurse is in it. […] Only twice have we forgotten to film a visitor. Amos designated me the Director of Photography. Since I have to focus and shoot using my bad left eye the joke in our home is that it’s a film by a dying director and a blind DP." – Claudia Summers

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Making of documentary on The Souvenir & The Souvenir Part II.

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Recorded at the 2016 Tribeca Film Festival at the Beacon Theatre

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Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale discuss the unique qualities of "Johnny Guitar," its lasting appeal and the influence the film had on some prominent directors during the years.

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Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale take a closer look at the feminist overtones in "Johnny Guitar."

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Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.

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Explore the remarkable stories of eight men and women who risked everything to embody humanity's most noble and complex trait — faith.

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Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories.

Open details →

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Open details →

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

Open details →

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Open details →