Berta Riaza

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Two assassins: Luis, young and impulsive and André, married teacher. Fate lets them cross their lines, evident in the same victim. From the beginning they like each other; and both become addicted to killing synchronously.

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In the empty house of his family, Ramon, a poet, remembers the last day of the life of his master: the last time he went out with his friend don Latino de Hispalis, his talk with a minister and his dinner with Ruben Dario.

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Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.

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After her drug pusher boyfriend overdoses on heroin, a cabaret singer finds refuge from the authorities in a convent for fallen women.

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Once upon a time, there was an empire where the sun never set. This empire had a court. This court had a king, but this king had no heir. They married the king, who understood that copulation was a duty of state and attempted it with exemplary dedication, but failed. The entire court, from the nobility to the jesters, gets down to work, sparing no means or methods, to produce the desired heir, and they reach a conclusion: the king has been bewitched and needs be exorcised.

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Little orphan Jorge, kisses his parents' grave to absorb their spirits. Her aunt Amelia helps her travel through time.

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During the first Carlist war in the 1830s in Spain a lieutenant falls into the enemy's hands and is arrested. When condemned, he claims he only wanted to see his newborn baby.

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There are nearly three dozen major televised, theatrical and cinematic productions paying homage to this revision of the original tale of Don Juan. Playwright José Zorrilla's work, was first written and published in 1844, and it soon became one of the most popular plays of the 19th Century. Spanish Director Alejando Perla's own 1952 cinematic version is probably the best-known of several films made concerning Zorrilla's take on the exploits of the immortal Don Juan-in just a 15 year period, (starting in 1936). His version stands out because it focuses on why Don Juan Tenorio should repent, after reflecting on a hedonistic life of drinking, followed by his enchantment, seduction and ultimate corruption of the innocent and married women he seduced then callously abandoned all throughout Seville.

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