Florencio Castelló

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In a whorehouse in Acapulco, lives Leonor, a young and beautiful woman who is awaiting to reunite with an old lover. Suddenly, the man reappears to take her away from her life of vice. But the debt owed by Leonor to the "Madame" of the house causes a series of conflicts.

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A plague is spreading through 16th century Mexico, and the Inquisition of the Roman Catholic Church is rooting out Jews, for they are believed to be its cause. At his father's funeral, a monk observes his family practicing Jewish burial rite, and he reports them, leading to devastating consequences for the whole family.

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A rumor reaches a small town, San Garabato, that a government infiltrator will arrive to check the conditions of the community. Quickly, the municipal president, Don Perpetuo del Rosal, orders the imprisonment of those who might give a bad image. An indigenous man named Calzonzin arrives in town, pursued by two men. He is quickly taken as the infiltrated inspector, and protected by all the local authorities.

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Shmuck makes a superhero costume, rides his bike to crime scenes. He gets involved with something big involving US capitalists taking over local Mexican businesses.

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A whore house is transformed into a decent household by a respectable man.

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Caravan of gypsies sets up camp outside an old-style Mexican hacienda.

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Young priest Father Sebastián is assigned to a parish in San Jeronimo el Alto, where he is not welcomed by the community, particularly the resident priest Father Damián. The newcomer gradually earns the trust of the people through humor, but firmly captures their hearts by saving the town fiesta by fighting a bull when the hired torero failed to show. Father Sebastián counsels the townspeople, lecturing them on their duties in a modern society. He used the collection plate to redistribute the town's wealth more evenly.

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El Piporro, desperate to earn more money, decides to fight and put his skills to the test in the rodeo using a nickname.

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After a lavish dinner party, the guests find themselves unable to depart... and, over the next few days, all of their elaborate societal pretenses and façades deteriorate as they are reduced to living like animals.

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A Villista girl and a Huertista boy -- can their love cross ideological lines and heal a trembling nation?

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Claimed by his grandmother, who lives in a Mexican village, Joselito begins the journey from Spain. Once there, while traveling in a stagecoach, is assaulted by bandits. Joselito manages to escape and, walking aimlessly, he meets Antoine, a rider who is ex officio of random player, and become close friends.

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A busfull of tourists arrives in Acapulco; each passenger has his/her little chunk of drama or comedy.

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Joselito lives with his grandmother in a fishing village. His father went to America long ago to make a fortune. One day, the boy decides to travel there to meet him. He takes courage and embarks on a fragile boat and miraculously is saved at sea by a vessel that leads him to Mexico where he meets Tom Thumb, a little newsboy who lives many adventures and helps him in the search.

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The delegates of an international conference must decide on a "United Song", capturing the traditions and cultural characteristics of the participating countries. An unprecedented art showcase.

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Three con-artists chase after the absconded girlfriend of one and butt heads with two female swindlers working the same marks.

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Husband and wife share the spotlight as two of Mexico's most famous ranchera singers, but when they decide to pursue solo careers, a Spanish theatrical empresario and an Italian female chocolatier will threaten their marriage.

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Two clownish incompetents get mixed up in power struggles between state officials.

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Pastora Heredia is a beautiful gypsy with great character who always tries to help the needy. One day she gots the notice of the death of his grandfather, a millionaire who lived in Mexico and that since his father was angry, she knew nothing of him. However, as Pastora was his only granddaughter and sole heir of all his property, it does not hesitate to cross the pond to claim his inheritance. But once there is that Don Guillermo, grandfather, not dead.

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A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.

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Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.

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Mexican love stories follow a dying man, a bullfighter's sister and lovers from feuding villages.

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Martin retired from his job as a hero because of his marriage to Rosario, a beautiful and ambitious girl who passed through the workshop where he works. However, Martin has to return in principle to help a friend from robbers.

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Martin Corona, player and womanizer, defends the underprivileged, the poor and the needy. He will have to defend a Spanish girl and her servant from the clutches of the villainous of the town. Not only will he have to fight the bad guy, but against the pride of the girl who initially believes that he is the bad character and distrusts him. She was very proud to put him at her feet, but there was a problem, Martin Corona was due more to his people than anyone and she was not willing to risk losing it, so before marrying him, made him swear he would not intervene In other problems.

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Tin-Tan wants to builds an ice cream machine.

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Screwball comedy about country girl who inherits a fortune.

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Frenetic rom-com about doctors overwhelmed with amorous female patients.

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The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.

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Her stepfather rapes her and she runs away to home. After that, she's exploited by a series of men, and...

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Famous bullfighter rises from humble beginnings, finds himself enmeshed in an emotionally-draining romantic triangle.

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