Dahn Ben Amotz

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

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Story of a war-widow pressured by her friends to behave in the role of the heroic widow, and the journey she takes in a country of people under siege.

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A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.

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Ari Ben Canaan, a passionate member of the Jewish paramilitary group Haganah, attempts to transport 600 Jewish refugees on a dangerous voyage from Cyprus to Palestine on a ship named the Exodus. He faces obstruction from British forces, who will not grant the ship passage to its destination.

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A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.

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Like many, another young Israeli, Rafi never gave much thought to the fact that when he reached a certain age, he would be expected to serve in the Israeli Army and that he would experience active duty in combat. It certainly never occurred to him that he might be injured, and if it did, it never occurred to him that he would be crippled, as he was. Now he must try to learn to cope with a life which is vastly different from anything he ever imagined, and at first he has nothing but bitterness. An older veteran tries to help him learn to cope, and his relatives work hard to adjust as well. However, only his sister-in-law Maya seems to understand his state of mind and doesn't freak out at his easily provoked displays of temper.

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Story of a war-widow pressured by her friends to behave in the role of the heroic widow, and the journey she takes in a country of people under siege.

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Based on a short story by Abraham B. Jehoshua, the movie follows Eli (Oded Kotler) taking care of an old girlfriend's child for three days. He wants him to get hurt, he worries about him. Will the child survive the three days? Will Eli?

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