Lydia Lunch

A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.

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Six days of shooting through the desert deathscape, Mojave motels with bug blankets and bone white rocks, future retro Reno motels with pink light bulbs where we shot in kimonos and 7 inch heels until the sun came up, exploring death valley dunes while being our own crew and stars, to dance in the ruins of Rhyolite in Nevada where thunder cracked the sky.

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Poetic seductress Lydia Lunch describes the destructive nature of a broken human before partaking in physical abuse of grown men with her younger counterpart.

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A documentary about The Troggs (performers of Wild Thing) and other Rock bands.

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A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.

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This DVD features 13 provocative short films by Richard Kern. Color & B&W film shorts with Lydia Lunch, Henry Rollins and more. Includes Death Valley 69 , The Right Side Of My Brain, You Killed Me First, The Bitches, The Sewing Circle, X is Y, Fingered, Horoscope, Submit to Me Now, My Nightmare, Manhattan Loves Suicides, Submit to Me, and Evil Cameraman. Music from Sonic Youth, Cop Shoot Cop, J.G. Thirwell, Butthole Surfers.

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The X-rated cartoon animations of Emmy award winning director/animator Merrill Aldighieri add a comical edge to this intense documentary with Lydia Lunch, a second collaboration after their first success, ""The Gun is Loaded."" Highlights from 5 concerts are accompanied by a live music score performed by composer JOE BUDENHOLZER & horn player TERRY EDWARDS (from MADNESS) during their travels to MARSEILLE, LYON, EVREUX, & NANTES. Bonus clips include rare on-the road interview footage with Lydia and composer Joe B., and an exclusive reading done at the Père Lachaise Cemetary.

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From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.

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In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

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Lazlo Pearlman is a conceptual artist, an activist capable of dinamiting our prejudices about sex and identity. What it seems to be a reflexion about lies in our sexual lives suddenly turns out to be a sharp discourse about gender theory and the continuous evolution of our identitiy. Fake Orgasm, first part of an ambitious multidisciplinary project about sexuality and identity, hits our minds and forces a change of perspective to reconsider some concepts we've been educated with and grown up with.

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Renowned artist Lydia Lunch joins architect Juan Azulay in an experimental performance broadcast live from the SCI-Arc Gallery.

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Even in a postapocalyptic future in which Earth has been colonized by aliens, humans need hearts to live, so when an orphan boy's sister needs a new one, he'll go to just about any length to get it in this "illustrated film" from Matt Pizzolo.

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Mutantes sheds light on a feminism that was little talked about in France. This documentary comprises of a series of interviews conducted in the USA, Paris and Barcelona, and documents from the archives about the political action of sex workers, queer activists and post-pornographic performances.

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the connections and energy flow between the various artists populating the 1980s sub-cultures of New York and Berlin. Features Jim Jarmusch, Lydia Lunch, Blixa Bargeld, Alex Hacke, Gudrun Gut, Nick Cave, and others. An important film. Bravo, Mr. Dreher.

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A documentary about composer/producer/performer JG Thirlwell and his musical alter-egos, including Foetus, Steroid Maximus and Manorexia. Featuring interviews with Thirlwell, Matt Johnson (The The), Alex Hacke (Neubauten), Michael Gira (Swans), Richard Kern, Lydia Lunch and more.

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For the End of Time is a film about the mind… a film about the body and our inability to merge these two entities which are shaping a form of civilization known under the term “human”. A human is not a being unto itself. A human is a construct… a civilization-related coding of a certain precise time and place. A human is not a uniform creature. A human is a split between many things… but the worst is the split carried inside… that between the mind and the body… How can we feel others, if the only universe that an individual truly lives in and feels is his or her own universe? How can you feel for the other… How can the other feel for you? Only as much as the pain of the other resembles yours – thus as a reminiscence of one’s own pain. This is the only way. For the End of Time is a film on a quest… for the eternal longing “to find the real thing.

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Guy Maddin flies to Kansas City, Missouri, in a vain attempt to save cinema as it continues to die from contempt and neglect.

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This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.

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Discover the New York underground scene during the 80s and throw yourself into an exciting, anarchic and repulsive world that you won't forget.

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Her Noise was an exhibition which took place at South London Gallery in 2005 with satellite events at Tate Modern and Goethe-Institut, London. Her Noise gathered international artists who use sound to investigate social relations, inspire action or uncover hidden soundscapes. The exhibition included newly commissioned works by Kim Gordon & Jutta Koether, Hayley Newman, Kaffe Matthews, Christina Kubisch, Emma Hedditch and Marina Rosenfeld. A parallel ambition of the project was to investigate music and sound histories in relation to gender, and the curators set out to create a lasting resource in this area.

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A full-length feature documentary produced in 2006 which serves as a companion piece to and is included on the DVD of the 2004 film KILL YOUR IDOLS.

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Cam Archer revisits the life of child actor Jonathan Brandis who committed suicide in 2003. Lydia Lunch narrates this meditation on fame, the actor’s pressure to remain in the public eye and the surreal events in the lead up to his unexplained death.

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Young Jeremiah lives in a stable environment with loving foster parents until the day his troubled mother, Sarah, returns to claim him. Jeremiah becomes swept up in his mother's dangerous world of drugs, seedy hotels, strip joints and revolving lovers. Salvation comes in the form of the boy's ultrareligious grandparents, but soon Jeremiah's mother returns. Maternal love binds the pair together on the road until Sarah's desperate and depraved lifestyle finally consumes her.

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A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

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This documentary features interviews with Ian MacKaye (Fugazi), J Mascis (Dinosaur jr.), John John Jesse (Demonic Erotic painter), Jim Rose (Jim Rose Sideshow), Jim Thirwell (Foetus), Lydia Lunch, Mike Watt (Minutemen), Richard Kern (Filmmaker), Ron Ashet

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Part of "The Women in Music" series

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A fringe film collective of edge-dwelling New York nihilist punks and crazies whose main pathological protagonist triumvirate were voyeur smackhead Richard Kern, pouting artpunk Nick Zedd and damaged psychescream queen Lydia Lunch.

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Haxan Films-produced documentary on Richard Kern's work around 1997. Footage from his photo sessions, interviews with Kern and his models, etc. Features associates such as Lydia Lunch, Beth B and more.

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Complete strangers meet in a room to act out their sexual desires.

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Malga Kubiak stars in her exploration of sex and self. One woman's love to her own body interlaced with maggots; mixes x-rated porn. Voyeuristically titillating this avant-garde study of horrors of sex.

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Collection of live spoken word performances by Lydia Lunch.

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At the end of the Reagan years, rocker and confrontational performance artist Lydia Lunch launches a broadside. From a formal podium, she attacks the white male power structure of the US. Next she takes on her parents. Then, the volume lowered and the background the streets of New York, she lets us know what she thinks of life, of herself, and of us, anyone who's watching or listening. Life is depression, despair, and death. She's the girl next door gone bad. And us? Compliant sheep. Lunch lays out a challenge.

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One of Richard Kern’s most ambitious works is Fingered (1986), whose sarcastic disclaimer says “although it is not our sole intention to shock, insult, or irritate, you have been warned that we are catering only to our own preferences.” The film came about following the criticism of Kern and Lydia Lunch's first collaborative venture: The Right Side of My Brain (1984).

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Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

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