Lulu Pavarin

Two families, two terrible injustices, and one common plan for revenge. A daughter who loses her mother is wrongly imprisoned and murdered in prison. A mother who loses her daughter is the victim of medical malpractice. Both join forces to take revenge on those who destroyed their families.

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“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

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Augusto is the chef of a fine restaurant, established for years, which is down due to the success of a former pupil, Patrick, who works in a food truck right in the square in front of the establishment. . Due to the situation, the bank, which is also a partner in the restaurant, appoints the strict Cristina to be the new manager. She immediately runs into Augusto, as she wants to change the local routine in order to make it profitable. But, amidst the pressure to create a new menu, Augusto starts to have a rare syndrome that makes him lose his taste buds.

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Paulo is an experienced doctor who works at a Primary Healthcare Unit on the outskirts of São Paulo. Using unorthodox methods, he focuses on preventative medicine. His routine changes with the arrival of Laura, a recently graduated and ambitious young woman.

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Diogo's 20th high school class reunion is coming up, and although he's married, sees it as an opportunity to hook up with his high school crush who will also be at the reunion. He and his wife have a young son, and everything is lined up so he can go to the reunion alone, hook up with the woman, and go home without his wife suspecting anything. Unfortunately for him, his wife's mother breaks her arm the night of the reunion and can't watch their son. Diogo scrambles to find a babysitter, ultimately settling on a nursery in a strange building. He goes to the party, meets up with the crush, but then has to leave. He and his three friends then go back to the nursery and pick up his son, who is wearing his favorite dog mask. While Diogo and his friends are on their way back to the reunion (he still hasn't hooked up with his former crush) he removes the dog mask and realizes the boy isn't his.

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Apnea presents a week in the life of Chris and her friends. Chris does not want to sleep. Afraid of her sleep apnea and her own unconsciousness, Chris stays up several nights in search of some sort of sense to her life that she did not see during the day, always living on the edge of her own body, and of existence itself, and dragging everything around with her.

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Based in the poem 'The Angel' by William Blake, the film is about the innocence of the childhood and how to grow up losing it and leaving some dreams back. The film has a magic atmosphere, that way we can dive into Lia's world and share her feelings through the fantastic realism.

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A typical Sunday lunch: husbands entertained with football, some mother and kids ongoing discussions, wives a little bit hysterical, till some funny secrets are revealed - one of them, about an erotic dream will change the nature of the conversation between two friends.

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Jonas is a thirty-something unemployed dreamer whose fantasies keep him from growing up. He's tired of the daily life in the megalopolis, the lack of money, time and affectio. In spite of this, he still believes a simpler life is possible. He then meets and falls in love with Lia, a young actress in the theater.

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An upper-middle class punk singer Andre, Magnata spends his time with his low-class friends, singing in clubs and wasting money. When he accepts a challenge to steal a Ferrari, he gets involved in a thriller that can lead him to a tragic consequence.

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Moments before turning 90 years of age, Alberto remembers his life, lived in Copacabana, a neighborhood in Rio de Janeiro. The film is a comedy about old age nowadays, with Copacabana as a background.

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The plot revolves around the romantic conflict involving four young people who have known each other since childhood. Antônio Mourão, an orphan raised by Father Ovídio, has two dreams in life: to graduate in Medicine – he has just passed the entrance exam – and to marry Rebeca, one of the daughters of his godfather, the Protestant pastor Bilac. Antônio and Rebeca end up separated thanks to the interference of Lívia, the youngest daughter of Pastor Bilac. Sensual and deceitful, she dreams of abandoning her life in São Tomás de Trás, working as a lacemaker and attending her father's church services, to live in the big city. She sees in Antônio a chance to fulfill her desire and, even knowing about the romance between the young man and her sister, she orchestrates a situation to seduce him and manages to get pregnant by him. The two are then forced to marry and move to the capital.

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Tribute to the world of soccer in Brazil. Group of ex-soccer players gather in a bar in São Paulo to remember old stories of their prime.

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During a time of political upheaval in Brazil, two strangers meet by coincidence in a foreign land and end up caught in the middle of a gem smuggling ring.

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As Pupilas do Senhor Reitor is a Brazilian telenovela produced by SBT and originally broadcast from December 6, 1994, to July 8, 1995. Based on the 1867 novel of the same name by Portuguese writer Júlio Dinis, it was adapted by Lauro César Muniz, with scripts by Bosco Brasil, Ismael Fernandes, Analy A. Pinto, Aziz Bajur, and Zeno Wilde under the supervision of Chico de Assis. The telenovela stars Juca de Oliveira, Débora Bloch, Luciana Braga, Eduardo Moscovis, and Tuca Andrada. Set in a 19th-century Portuguese village, the story follows the orphaned sisters Guida and Clara, who are raised by the respected Padre Antônio, known as the Senhor Reitor. After Daniel returns home as a doctor following years away, old feelings are rekindled, but misunderstandings, forbidden love, family rivalries, and social expectations threaten the happiness of both sisters. As secrets and sacrifices come to light, the couples must overcome prejudice and scandal in their search for true love.

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