Marianne Krencsey

The film version of the hit TV film series recreates the Kuruc-Labanc skirmishes. On the orders of the Kuruc brigadier Ádám Balogh of Béri, the cunning Eke Máté collects the poor. They set out from their farmhouse in Tenkeshegy Castle to raid against the Laban, crushing the Siklós Laban colonel's nose in the process, and then take the castle. Máté continues the fight against the Labanc as the Kuruc captain of the Siklós castle.

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During the Rákóczi's War of Independence in South Baranya, in Vienna, Colonel Eberstein is assigned by the Council of Warriors to dispose of the Kuruc army operating in the vicinity of Siklós.

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Fodor, a script-writer of promising talent finds himself in a difficult financial situation. So he comes out with an absurd idea to make a film of. The director, with several scripts having been refused, likes it.

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Dismissed from the railroads in 1863 for his union activities, Etienne Lantier found a job at the Voreux coal mine. But work was hard, wages were low and safety left much to be desired. Lantier tried to organize the miners into a union. When mine manager Hennebeau refused to negotiate, the workers launched a general strike, which ended with the intervention of the troops.

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Félix, a somewhat clod-hopping young man, finds himself in the Grand Hotel of Little Lagonda, barefooted and in pyjamas. He is soon followed by a hooded, fat and leggy gangster. This is all the more strange as the hotel is under quarantine with the pretext of a plague-epidemic, in order to make it a suitable ground for the negotiations of certain oil-companies.

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Adaptation of Mór Jókai's classic 19th century novel on Mihály Tímár, the captain of a commercial Danube ship in the 1830s, who finds unexpected fortune by meeting a Turkish aristocrat fleeing from his home country with his daughter Tímea. On their journey, they find an unknown island on the Danube, called the Senki szigete (the Island of No-one), a sort of earthly paradise, with only an old woman and her young daughter Noémi living on it.

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Vetró János, the lorry driver, is an alcoholic. His marriage is in pieces, his wife has a lover. Their son suffers an accident. The next day his wife moves out. In his desperation, Vetró drinks even more, and leaves his work as well.

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At the beginning of the 50s, Jani, the young pitman, goes to work to a new mine. To his disappointment, he is only employed as a trammer. After lengthy disputes he manages to get to the post he desires.

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Vera gets acquainted with Imre on a tram. Later, she learns that he is the brother of one of her pupils. They meet again. Imre's too passionate courting provokes refusal from the reserved school-teacher.

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A comedy about the dwellers of a newly handed-over building. The sullen doctor Birkás is concerned that his wife also has a job so there is nobody to keep the apartment tidy. What is more, it happens that the doctor must cook the dumplings stuffed with plums himself. The lady hairdresser, Albert, is rather jealous of his wife. His jealousy is not entirely ungrounded, and Mancika runs away with a motorcyclist. The Korbusz family live a little crowded, because in addition to Öcsi, even an energetic grandmother lives with them. But the peacefully troublesome time spent together does not disturb the family's happiness.

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Feri Noszty forges bills of exchange, which is an unforgivable sin in his circle. The family, to pay the debt and save the boy's honour, cash in their only fortune by marrying Vilma, Feri's sister, to a wealthy man. But this will not save Feri, who must resign his commission as an officer. He gets a job as a magistrate, but the income does not satisfy the young man's needs. All that is left is a good marriage and a huge dowry.

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The old, sickly Demeter Lapussa is a tyrant in the family. He forces his granddaughter, the beautiful Henriette, to marry baron Hátszegi, although the girl loves the penniless Vámhidy Szilárd. The two lovers attempt to commit suicide, then are torn away from each other.

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If there has ever been pure and undestroyable love, this is it. That is how Imre and Vera feel. The talented chemist loses his best friend for the girl's sake, then gives up his profession, only to be able to stay in the capital with Vera. But the young actress at the beginning of her career is neglected. Imre accepts an uninteresting, but well-paying position. They seem to be happy together.

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On New Year's Eve in 1956 the artist couple, the actor János and the dancer Viki are hastily packing. While they are waiting for the car, which is to take them across the border, their entire life is replayed in front of their eyes.

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20-year-old Gida, having just survived his first amourous disappointment, falls for Katinka, the young widow, at first sight.

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This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

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Buda is mastered by the Turks. Student Gábor and his companion flee a troop into the castle, just in the garden of Gül Baba. Gábor and Leila, the daughter of Gül Baba fall in love with each other. Ali pasha, who wants to marry the girl, has the two Hungarians caught in order to let them be executed.

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The tyrannical king is afraid of his people. He can only find peace if everyone wishes him well when he sneezes. Catchpoles raid the country and give orders what the king wants.

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The young worker Tóth Gáspár gets into hospital with stomachache. During the night his state is worsening. The doctor on duty, Málnási does not attend the patient despite the call of the nurse, for he spends the night with nurse Margó.

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Set in the "Golden Era" of the wandering Hungarian theatre troupes. Mariska and Liliomfi fall in love without suspecting that Mariska's foster father, Professor Szilvay, is also Liliomfi's uncle. Soon the couple must contend with the professor's plan to make Liliomfi give up his "unrespectable" profession of acting by exposing the professor's hypocrisy, greed, and tyrannical selfishness.

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