Miguel Littín

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After the coup d'État of the Democratic government of Allende, the embassy of Italy in Santiago played a major role in helping the opposers of the regime, and extradited many of them to Italy.

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Daily interviews discussing the guest's personal lives and national contingency.

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Lorca, a great Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27. He was executed by Nationalist forces at the beginning of the Spanish Civil War. Nickolas Grace gives a fabulous interpretation in the title role and he even bears a remarkable resemblance to Lorca.

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In 1985, exiled director Miguel Littín secretly reentered Chile to film this sweeping documentary portrait of the country under the dictatorship of Augusto Pinochet. Shot clandestinely and later released as a four-part television series, the film combines interviews, historical reflection, and on-the-ground footage to examine Chile’s political climate more than a decade after the 1973 coup.

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Documentary in four parts on Latin American cinema. Fourth episode: in Cuba, the ICAIC, created in the aftermath of the Castro revolution, is at once a film school, a production company and a state cultural branch. Cuban filmmakers testify to the situation and themes specific to their national cinema.

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Feature film that wraps, through Jorge Lillo's text, three short films by Helvio Soto

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Two guerrillas (Miguel Littin and Jorge Guerra) wander lost in the desert until one of them dies. A jeep appears in the distance to rescue the survivor, but unable to read the signs of comradeship pointed out to him by the drivers of the vehicle, he shoots them.

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Sequences that illustrate moments in a woman's life, in parallel to the political events happening in South America during the 60's.

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The last 7 hours of former President of Chile Salvador Allende, and his closest collaborators inside the Palace of La Moneda, during the brutal military coup d'etat on Sept. 11, 1973, the day democracy in Chile ended. Based on true events.

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After the 1973 coup that deposed Allende and brought Pinochet to power in Chile, the former members of his cabinet are imprisoned on Dawson Island, the world's southernmost concentration camp. Here these men are determined to survive and provide history with their testimony.

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Palestine 1914. One morning in July, Soliman, a young Palestinian and Jacob, his Jewish friend, begin to build a house in Beit-Sajour, in the hills of Judea, with stones brought from Beit-Jala, while the apparent stillness of the place is interrupted by bursts of violence that anticipate the future days of the war.

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Two men at cause of confusion and superstitions become involved in a duel that ends unexpectedly.

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In the seas of southern Chile, where the known world ends, in dangerous waters and ghost ports, a space where everything is possible, a group of sailors dare still to dream in mysteries and enchantments...

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After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.

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Narrative of a period of life (1926 - 1934) of the Nicaraguan revolutionary leader Sandino, who was known as "The general of free men."

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In 1985, exiled director Miguel Littín secretly reentered Chile to film this sweeping documentary portrait of the country under the dictatorship of Augusto Pinochet. Shot clandestinely and later released as a four-part television series, the film combines interviews, historical reflection, and on-the-ground footage to examine Chile’s political climate more than a decade after the 1973 coup.

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Alsino, a boy of 10 or 12, lives with his grandmother in a remote area of Nicaragua. He's engulfed in the war between rebels and government troops when a US advisor orders the army to open a staging area by the boy's hamlet. Alsino tries to be a child, climbing trees with a girl, looking through his grandfather's trunk of mementos and trying to fly; he goes to town to sell a saddle, has his first drink and is taken to a brothel. But the war surrounds him. The US advisor takes Alsino on a chopper flight, but he's unimpressed. The soldiers' cruelties awake rebel sympathies in Alsino, and after an army assault backfires, the lad is fully baptized into the conflict.

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Mexican drama film directed by Miguel Littín. It is based on a short story of the same name by Gabriel García Marquez. It was entered into the 30th Berlin International Film Festival

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Set in the early 1900s, this film charts the rule of a Latin American dictator as he moves from being a charming despot to a tyrannical ruler before he is finally ousted, only to die in obscurity in Paris. Early in his regime, the resources and agricultural products his country sells command high prices, and he is a reasonably confident, even gentle, ruler who likes to take long vacations with his daughter in Paris. After World War I, with falling prices and a number of coup attempts behind him, his rule becomes quite cruel.

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Chronicle of the repression that a foreign company exerts on the miners of a small nitrate town in Chile, whose workers decide to claim their most essential rights. A reflection of the historic union struggles in the northern Chile that ended with terrible repressive acts.

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During the socialist government of Marmaduke Grove in 1932, a group of villagers decide to take some land in the area of ​​Palmilla. Almost like a mythical journey, problems arise when seated and in a position to bring the socialist ideal in the population. Everything becomes more complicated with rumors that the reactionary forces have overthrown the socialist government. A movie that because of the coup was not released in Chile and was only terminated by Littin in exile in Mexico.

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Based on an actual murder case that ignited a furious debate over the death penalty in Chile in 1960, this experimental social drama portrays the life and death of an illiterate peasant who, while drunk, murdered the woman with whom he had a relationship and her five children.

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We remain on the street, this space that is perhaps the great territory of invention for Latin American cinema. Held at the Centro de Cine Experimental of the Universidad de Chile - one of the most prolific and enduring poles of militant cinematographic production at the time -, this experimental fiction about class relations is one of Miguel Littín's first films, which would become one of the central references of the political cinema in Latin America. Por la tierra ajena was one of many films that sought to take part in the process of raising awareness that would lead to the election of Salvador Allende in 1970.

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