Edie Sedgwick

In a hypercompetitive world, drugs like Adderall offer students, athletes, coders and others a way to do more -- faster and better. But at what cost?

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A documentary on the legendary creator and victim of pop art. Warhol, revolutionary and controversial, was never afraid to break the mold and reshape the reals of art, advertising, and directing. But who was the real man being behind the colors in which he hid?

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Warhol Superstar Ultra Violet (Isabelle Colin Dufresne) and Lower East Side Icon Taylor Mead (Poet/Actor/Artist) share their stories of Manhattan in the 1960s.

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Stephen Smith sets out to discover the real Andy Warhol - in the hour-by-hour detail of his daily life.

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DANNY SAYS is a documentary unveiling the amazing journey of Danny Fields. Fields has played a pivotal role in music and culture with seminal acts including: the Doors, the Velvet Underground, the Stooges, MC5, Nico, the Ramones and beyond.

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Model, film star, muse, socialite, icon. Edie Sedgwick was the very first "it" girl of the Andy Warhol Factory scene. The arc of her life traced the rise and fall of the 1960s recklessness. After being the toasted by the whole of New York City, Edie died alone of a drug overdose in California at the age of 28. She was both the harbinger of celebrity culture and someone who stood entirely outside of it, an artist who painted life, bravely and spontaneously, with her own hand.

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Between 1964 and 1966, Andy Warhol shot nearly 500 Screen Tests, beautiful and revealing portraits of hundreds of different individuals, from Warhol superstars and celebrities to friends or anyone he thought had "star potential". All visitors to his studio, the Factory. Subjects were captured in stark relief by a strong keylight, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film. The resulting two-and-a-half-minute film reels were then screened in slow motion, resulting in a fascinating collection of four-minute masterpieces that startle and entrance, mesmerizing in the purest sense of the word. Songwriters Dean Wareham and Britta Phillips, formerly of the band Luna and currently recording as Dean & Britta, incorporated original compositions as well as cover songs to create new soundtracks for the 13 films.

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Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

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Velvet Underground's first public appearance.

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Icon of pop art, Andy Warhol has marked the 20th century. This film pays tribute to him with the exceptional participation of Ultraviolet, never-before-seen images of the "private" Warhol and archival documents from the Velvet Underground, Mick Jagger, David Bowie, Truman Capote.

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A years-in-the-making documentary on the legendary punk band the Ramones. Through a mixture of archival footage, archival and new interviews with all members of the band's various lineups, and new interviews with a number of their contemporaries, the film traces the peaks and valleys the band experienced over the course of its 20-plus year career before disbanding in 1995.

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Iconic American artist and filmmaker Andy Warhol is the subject of this documentary, which looks at both his life and his influence on pop culture. The film provides details about Warhol's upbringing in Pittsburgh and follows his move to New York City, where he found massive success turning pop imagery into art and eventually founded "The Factory," his famed studio and party venue. Among the many notables interviewed are Dennis Hopper, David Hockney, and Roy Lichtenstein.

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Jonas Mekas’s intimate diary film spans 1963 to 1990, capturing Andy Warhol alongside friends and collaborators from the New York avant-garde. Featuring figures such as Allen Ginsberg, John Lennon, Yoko Ono, and George Maciunas—as well as rare footage of the Velvet Underground’s first performance—it offers a personal portrait of Warhol’s world and his intersections with art, music, and counterculture.

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Documentary on Andy Warhol's cinema of the sixties, made for Channel 4 in association with The Factory, MOMA and the Whitney Museum of Art and in collaboration with Simon Field.

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The first major profile of the American Pop Art cult leader after his death in 1987 covers the whole of his life and work through interviews, clips from his films, and conversations with his family and superstar friends. Andy Warhol, the son of poor Czech immigrants, grew up in the industrial slums of Pittsburgh while dreaming of Hollywood stars. He went on to become a star himself.

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Fiction and documentary mingle in a freewheeling portrait of Susan Superstar, a New York celebrity on a drug-fueled downward slide that mirrors Edie Sedgwick’s own self-destructive spiral.

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This compilation of Gerard Malanga's short films consists of a collection of extremely rare footage and film portraits providing candid and interesting glimpses of Bob Dylan, Salvador Dalí, Jane Fonda and The Velvet Underground among other 1960s icons and featuring original music by Angus MacLise, who was the first drummer to perform with The Velvet Underground.

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In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.

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Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

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Made when I was a bit depressed which is nothing new,. Bob Cowan happened to be depressed as well and so we had a wonderful time working together. One of the actresses was separated from her husband at this time and the movie solidifies into concrete the repressed desires of everyone.

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Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol insisted that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side. The film's title is a pun on the rating system used by critics to rank films, with "four stars" being the highest rating. From Wikipedia.

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... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.

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This pop movie about Warhol includes appearances by Henry Geldzahler, Edie Sedgwick and The Velvet Underground.

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This newly unearthed film, which Warhol shot during a concert at the Boston Tea Party, features a variety of filmmaking techniques. Sudden in-and-out zooms, sweeping panning shots, in-camera edits that create single frame images and bursts of light like paparazzi flash bulbs going off mirror the kinesthetic experience of the Exploding Plastic Inevitable, with its strobe lights, whip dancers, colorful slide shows, multi-screen projections, liberal use of amphetamines, and overpowering sound. It is a significant find indeed for fans of the Velvets, being one of only two known films with synchronous sound of the band performing live, and this the only one in color.

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Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.

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Screen Test of Edie Sedgwick and Kipp Stagg (aka Bima Stagg).

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This program profiles Andy Warhol and Roy Lichtenstein, two of pop art's greatest icons. Back-to-back interviews highlight their differences. The voluble Lichtenstein, interviewed in his studio, discusses his methods and the use of familiar objects in his art. The reticent Warhol baits the interviewer, who attempts to extract concrete statements from the elusive artist. The Warhol segment is supplemented by footage of his band, the Velvet Underground; a clip of one of his short films, "Nancy Worthington Fish"; and brief comments from Edie Sedgwick, one of Warhol's proteges.

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Instructed by Warhol to write a vehicle for Edie Sedgwick in a “completely white” setting, scenarist Ronald Tavel created one of Warhol’s most iconic films. Here a group of performers of all stripes – the sink and litter basket receive equal billing to the human actors – are forced into Warhol and Tavel’s cruelly comical theatre of the absurd. Inside this cramped domestic space, boredom, confusion and a sense of existential dread hang heavy in the air. Warhol and Tavel transform the modern 1960s kitchen – replete with the latest gadgets and conveniences – into a chaotic laboratory for self-creation and interpersonal conflict.

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Mexican actress Lupe Vélez's final hours as she overdoses on Seconal.

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The Velvet Underground's first public appearance, filmed in Super 8 at a Psychiatrist's Convention, at the Delmonico Hotel, New York, January 14, 1966. Andy Warhol was invited to speak at the annual banquet of the New York Society for Clinical Psychiatry. He brought along the Velvets and other factory regulars.

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A 16mm Warhol film of Edie Sedgwick sitting in front of a television monitor on which is playing a prerecorded videotape of herself. On the videotape, Edie is positioned on the left side of the frame, facing right; she is talking to an unseen person off-screen to our right. In the film, the “real” or “live” Edie Sedgwick is seated on the right side of the film frame, with her video image behind her, and she is talking to an unseen person off-screen to our left. The effect of this setup is that it sometimes creates the rather strange illusion that we are watching Edie in conversation with her own video image.

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