Christophe Dimitri Réveille

After the triumph of the Cuban Revolution in 1959, three guerrilla fighters followed Che Guevara in his attempt to carry the uprising beyond the island. In 1967, after their final battle in Bolivia and Che’s execution, these shadow warriors embarked on an extraordinary 2,400 km journey across Bolivia, pursued by 4,000 soldiers and navigating remote terrain in a bid to stay alive. Sixty years later, Che’s last surviving comrades recount this untold story of endurance and loyalty, in which individual destinies were shaped by the larger geopolitical currents of the Cold War. Blending rare archive footage, animation and exclusive interviews, the film brings a forgotten chapter of history into the present.

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D'Artagnan, on a quest to rescue the abducted Constance, runs into the mysterious Milady de Winter again. The tension between the Catholics and the Protestants finally escalates, as the king declares war — forcing the now four musketeers into battle. But as the war goes on, they are tested physically, mentally and emotionally.

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D'Artagnan, a spirited young Gascon, is left for dead after trying to save a noblewoman from being kidnapped. Once in Paris, he tries by all means to find his attackers, unaware that his quest will lead him to the very heart of a war where the future of France is at stake. Aided by King's Musketeers Athos, Porthos and Aramis, he faces the machinations of villainous Cardinal Richelieu and Milady de Winter, while falling in love with Constance, the Queen's confidante.

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In 1752 in Reunion Island, Soa, a former Malagasy slave, believes she has found a tunnel that will lead her back to Madagascar. When her village of maroons falls under the threat of slave hunters, Soa faces an inescapable choice: stay with her loved ones or flee to finally return home.

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What does ‘normal’ actually mean? And what is ‘crazy’? Everybody attempts to convince Léa that her mother, Suzanne, is mentally ill. Her father wants to see her returned to the psychiatric clinic, but Léa refuses to see her mother in the same light: Suzanne is happy – even if she doesn’t act like others expect her to. She appears to live a joyfully infantile existence after calmly letting go of life’s pressures. Léa captures her mother’s life on film and focuses her attention on examining the old super-8 films from the family archives. When she is left to drive her mother back to the clinic after a weekend at home, Léa grabs her opportunity: She turns the car around and whisks Suzanne off on a journey; a road trip without the judgements of others. AVANTI follows a mother-daughter relationship with an ease and depth that highlights the complexity of the emotional ties within a family.

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