Jaime Camino

Documentary about the evacuation in different countries, during the Spanish civil war, of thousands of Spanish children to remove them from the conflict. Approximately three thousand children were welcomed by the Soviet Union. Some of these children, now elderly people, tell us about their experiences during this trip that originally was to be a temporary evacuation and which many could not return until twenty years later.

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In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.

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This film within a film is based on the painting Las Meninas by Diego de Velazquez. A young boy enters the canvas of the famous picture of the Spanish king and his court. In order to return to the real world, he must convince the artist to create his famous painting. The other plot involves a film director who is not sure how his film within a film will be created. He is distracted by his troubled marriage and has difficulty focusing on his project.

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The two weeks leading up to the Spanish Civil War in 1936 are dramatized from many different locations in Spain, Morocco and London.

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Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.

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In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.

Open details →

In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.

Open details →

This film within a film is based on the painting Las Meninas by Diego de Velazquez. A young boy enters the canvas of the famous picture of the Spanish king and his court. In order to return to the real world, he must convince the artist to create his famous painting. The other plot involves a film director who is not sure how his film within a film will be created. He is distracted by his troubled marriage and has difficulty focusing on his project.

Open details →

The two weeks leading up to the Spanish Civil War in 1936 are dramatized from many different locations in Spain, Morocco and London.

Open details →

Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.

Open details →