Antoñita Colomé

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

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A family, expelled from their shack, occupies the museum in Cordoba where once lived the prince who, in his youth, was the grandmother's lover. The curators and administrators of the museum, aided by a couple of inexperienced policemen, harass the squatters to force them to leave.

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Lozana, a young, beautiful and clever woman decides to move to the city after a tragic love story. There, she meets Rampin, a naughty rascal who soon finds out that her wit surpasses his own by a handful. When he falls in love with her, he can't help suffering as he sees how she plays not only with him, but with all of her lovers as well.

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Spanish bullfighter and a Mexican one have a friendly rivalry spanning decades.

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Pepe Conde, a poor simple man, is tricked by a rich marquis to believe he has sold his soul to the devil to win the attention of the woman he is in love with.

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Film based on the life of the priest Andrés Manjón.

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Servando, a young Galician who acts as judge in Seville, discovers while snooping old files, a case of suicide a little suspicious. He believes that in reality it is a crime that was hidden and decides to clarify the case, forgetting his girlfriend, who lives in a village in Galicia.

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The wealthy father of a young girl who has a relationship with a boy who has just won a waltzing contest employs him in a factory in order to make him a profitable man.

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Based on the novel of Wenceslao Fernández Flórez, this comedy where two friends try to become criminals achieved certain recognition.

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