Armando Bógus

It tells the story of young people who dream of a modeling career and the rise of their lives. It all starts when the Sex Appeal agency, led by Edgar and Cecilia, runs a contest that will award the winner two hundred thousand dollars and the possibility of living abroad. The main competitors are Angel, Vilma, Eva and Claudinha. They will do anything to earn, even things they would never imagine doing.

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To get revenge on her ex-fiancé Murilo Pontes, Pilar marries his rival, Jerônimo Batista. 25 years later, Pilar and Murilo deal with the passion between their children, Marina and Leonardo.

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Inspired on Jorge Amado's romance "Tieta do Agreste", the plot is set on the fictional city of Santana do Agreste, at Brazil's northwest, and has as main theme Tieta's life turnarounds. Twenty-five years after being chased out of town by her father Zé Esteves, she returns to her home town seeking revenge against everyone who mistreated her and laugh at her face in the past.

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In an action-packed plot set in São Paulo, Ana gives birth to a child in Tonico's car, but abandons the baby to escape the police after becoming involved in a robbery.

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A widower who was anything but traditional for the 1950s, Álvaro has a frank relationship with his daughters and becomes the target of criticism from his sister-in-law Fausta, especially when he meets Marta.

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In the tiny poor town of Asa Branca, in the middle of Brazilian Northeast, Roque Santeiro is worshiped as a saint. He was supposedly killed by a bandit, 18 years ago, trying to save the local church. After his disappearance, local leaderships such as landowner Sinhozinho Malta and mayor Florindo, took profit on that to control the humble population. They even make up a widow, Porcina, who should have married Roque secretly before his death. What they don't expect is that Roque is alive, and he's back to, allegedly, "save his people". Now Malta, Florindo, Porcina, and others must hold him down and explain the "truth" to their commoners, in a desperate attempt to save their own bottoms. Meanwhile, mysterious facts surround Asa Branca, such as a Werewolf, a film crew who are trying to shoot a movie about Roque's story, and violent murderers.

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It tells the story of the Camabará family for many generations, which were fundamental to the social and political formation of the state of Rio Grande do Sul. The stories are remembered by Dona Bibiana, who remembers the life of her grandmother Ana, her husband, the Captain Rodrigo, his son Bolivar and his daughter-in-law Luzia.

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After being evicted, a family in serious financial difficulties moves into a tenement next to a cemetery. As soon as they settle in, they meet the neighboring couple who, upon learning of the financial problems of the newcomers, offer them a pact to be made through a magical amulet: the monkey paw.

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César, a sugar mill owner in Pernambuco, lives in Rio de Janeiro with his wife Maria Luiza and daughters, Débora and Suzy. One day, tired of his life, he decides to fake his own death and assume another identity. César does this with the help of França, the financial director of the sugar mill – which also belongs to Alaor. César and França stage a car accident, plunging off Avenida Niemeyer in Rio and disappearing into the sea. César leaves Alaor on the verge of bankruptcy and Maria Luiza and the two girls in poverty, completely transforming their lives.

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Set in 1940s São Paulo, the story follows Laura, a modern woman devoted to the arts who is oppressed by her husband, Natércio Prado—a wealthy man with traditional views. Amidst marital turmoil, Laura suffers a severe trauma and is even committed to an asylum by her husband. The couple separates, and the family is torn apart: Laura keeps her youngest daughter, Virgínia, while Natércio retains custody of the other daughters, Otávia and Bruna. Frail and penniless, Laura moves into the Vila Mariana home of her neurologist, Daniel. He is in love with his patient and believes her condition is physical rather than mental. Laura hides the fact that Virgínia is actually Daniel's daughter. The youngest daughter eventually returns to live with her father, where she faces hostility and harshness from the housekeeper, Frau Herta.

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To avenge his father's death, Otávio wants to take over a party catering business called "Marron Glacé," but ends up falling in love with Vanessa, the daughter of the current owner.

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A comedy divided in four episodes, set in different time periods, each starring a different couple, yet all facing the same issue: marital jealousy.

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The famous psychologist Teca falls in love with the widower Renato, father of one of her patients. The romance awakens the jealousy of Stela, who harbors an unhealthy passion for Renato, her brother-in-law.

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This adaptation of a classic Brazilian novel focuses on the relations of charismatic characters within a tenement.

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A series of murders begins to haunt Cordilheira, a small town near São Paulo, Brazil. The investigations show there is a love triangle involved.

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Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

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A look at Brás, one of São Paulo's main Italian districts from its start until the 70s.

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The story takes place in a mansion in the Jardim América neighborhood of São Paulo. The lonely Rodrigo, a wealthy man from Rio Grande do Sul, lives with seven ambitious women who plan to swindle him out of his fortune: the flight attendants Regina and Cláudia, the showgirl Ciça, Madalena, Dulce, Dinorah, and the manicurist Suzete.

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