Jaime Freitas

One day they meet randomly on the street: João is unemployed, Clara works in the film industry as a production assistant. They were colleagues at film school. She invites him to participate in this film she’s working on. “Eternal Flame” it’s a melancholic comedy about the dynamics of a film crew and the growing pains of a young slacker. A homage to the family of Portuguese cinema and cinema itself

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The fearless race of the 1920's Portuguese aviation pioneers to cross the South Atlantic Ocean through aerial navigation, became an epic story of the modern age argonauts. In order to reach the stars - sailing is necessary- navigandum est.

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In an abandoned aqua park, a boy and a girl hide from the exterior world.

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A writer becomes the main character in the story he intended to write

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About to turn 35 years old and in the imminence of having to give up his music, Samuel comes to Lisbon to do a concert. He stays over at Teresa's, the attractive mother of his girlfriend, a woman who resists getting old. During 3 days, accomplices and inert, they create a silent intimacy, feeling time overcome them without knowing where to go.

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Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.

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A spirited cancer survivor goes on a spontaneous search for 'The Berlin Patient' - the first man in the world actually cured of HIV.

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Sebastian is a wealthy young man. He finds out he has a flat tire and ends up accepting help from a Gypsy passer by. In return Sebastian will have to give him a ride home - but they won't reach their expected destination.

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In the town of Copper Canyon, people are cashing in on an economic housing boom, and the local country club is buzzing about the investment opportunity. Once vivacious couple, Roger (Vincent D'Onofrio) and Georgie (Kyra Sedgwick), have settled into a complacent lifestyle of mediocrity where their marriage is falling apart and their children are turning away from them. Nonetheless, the desperately discontent Georgie pushes Roger into finding a way to invest in the market bubble in the hopes that their family can be saved with the money they are sure to make. When local tennis pro and part-time drug dealer, Pat (Rhys Coiro), comes to Roger for investment advice, Roger sees his opportunity. Torn by the reality that his family could be saved by this dirty money, Roger finds himself staring down the barrel of a moral conundrum.

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Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.

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Quitterie, a 40 year-old woman, relives the great love for her deceased 18 year-old Japanese partner, by successively meeting up with young strangers.

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Peter has a strict routine to keep his mind busy.

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THE LOVEBIRDS intertwines six stories about love, friendship and survival. The film stars an international cast of American and Portuguese actors who create a colorful mix of off-beat characters that lead us through a complex labyrinth of emotions. Set in the old Romanesque city of Lisbon during the course of one night where love is the art of survival. Written by Anonymous

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A 70-year-old man is in a relationship with a young man named Heiko. It is a fetishist relationship taken to extreme exoticism.

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The darkness of night, a barely lit place, motorbikes flirting with danger: a group of teenagers at a crossroads playing chicken with unaware passing cars. Jota (Eduardo Frazão) stands out from this group, unclassifiable; his destiny has no straight lines save those on the asphalt. Jota lives in permanent conflict with everything and everybody in his small town. No room for stillness. And then comes Margarida (Ana Moreira). Jota has no inside, Margarida has no outside. In spite of, or because of, that, they meet. What can they do? They can just ride, they can get away with it even if its all messed up. Love is to be lived.

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When Camille's son was killed in a car accident, the devastating loss proved too much for emotionally fragile mother to bear. Now desperately clinging to any reminder of the son she held so close to her heart, Camille becomes increasingly fixated on Frank - the young man who was not only her child's best friend, but the one who was responsible for the tragic accident that took his life as well. At first, Frank is receptive to Camille's advances. It's not long, however, before the pair's scandalous relationship prompts many of Camille's friends to distance themselves from the increasingly unstable woman. Later, as Camille's obsession with Frank turns menacing, the relationship between grief-stricken mother and her guilt-ridden lover begins to take on ominous undertones.

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Christmas Night. A man, a serial killer gets out in order to search another victim. The thoughts could be our own but the end is unpredictable.

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In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.

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Over the course of one night, two middle-aged friends—actors in a struggling theater company—wander the streets of Lisbon’s less touristy neighborhoods, which seem to never sleep, and talk about all and nothing, about life, work, commitment, the stage, illness, death, family. Hermínio and Barata are like brothers, “children” of Mário Plácido, the founder and director of the troupe who died a few weeks ago, but they have different personalities and do not share the same vision for the future of the company. Barata wants to save it and continue to stage plays, while Hermínio has doubts about whether it should continue. The rift could shake their decades-long friendship.

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