Iván Mándy

A story of two young people in Hungary, Jancsi and Kata. First they are good friends, later lovers. Soon after the 1956 Revolution Kata leaves Hungary, Jancsi stays there. After 10 years Jancsi is allowed to visit Kata in France, their love is reborn, but after a short, very happy period Jancsi has to return to Hungary and their love fades as years have gone by.

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A man, a woman, an afternoon, a city, and an unspoken, hopeful desire to find love by way of the personal ads. A milestone of Hungarian cinema, Elek uses documentary techniques in a fiction context to make the frailty of everyday life as palpable as possible.

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Winter of 1944, the last days of the war. When the roads and houses ceased to exist and the bottom of the cellars become filled with life, when fortunes were lost and countries burned up, her used coat was only important to Mama, the cloak-room servant of a local dance-school. Her son stole it to sell it for twenty pengő. He did it because Aranka Fussbaum's love cost money. There is no honour left in such a destroyed world. Yet still they start looking for that coat... (Elemér Ragályi won Best camera with this movie in Montreal, 1979, and in Budapest, 1980.)

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This sensitive and ironic film points up two girl-faces: Vera is happy, but cold, while Borika is tired, but warm-hearted.

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The film brings to life the stars of cinema of yesteryear, heart-wrenchingly poignant or even comic scenes, and in the shades that emerge, worlds are built and collapsed. The cinema auditorium, the auditorium, the ground floor, the hotel room, are the setting for special atmospheres.

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Persuaded by the janitor's wife, a lively, but lonesome old woman, who is only attached to the world through her cherished objects and memories, decides to exchange her two-room apartment for a smaller one. For a little while her everyday life is changed. She meets and entertains new people every day.

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