Stephen Blackman

Reel 25 of Gérard Courant’s on-going Cinematon series.

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In Glasgow, Toni Cocozza, age 28, aspires to be a lounge singer; his repertoire is strictly Sinatra, backed by Bill, an aging piano player and his only friend. Toni dreams big and enters a local television talent show. About that time, a local Mob boss decides Toni is great entertainment and invites him to be his guest at a casino. Toni chats up Irene, a cigarette girl, he gets an odd job or two from Chisolm, the mobster's number two, the audition goes bust, and Toni's future is uncertain. One thing leads to another with the Mob. Is Toni at a crossroads, or is there in reality no turning or going back?

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After the death of her husband, the mother of Julie, Jack, Sue and Tom begins to suffer from a mysterious illness. Aware that she is going to have to go into hospital she opens a bank account for the children, so that they can be financially self-sufficient and will be able to avoid being taken into care by the authorities. Unfortunately she also dies and Julie and Jack (the older, teenage children) decide to hide her body in the basement so that they can have free reign of their household. Soon Tom has taken to dressing as a girl whilst Sue has become increasingly reticent, confiding only to her diary, meanwhile Jack and Julie sense an attraction developing for each other. However Julie's new beau, Derek, threatens to unearth the many dark secrets within this family as he becomes increasingly suspicious of Jack.

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Michael climbs on to the roof of the block of flats where he lives with his mother, and finds a world of make-believe, duels, and chickens existing over their heads.

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