Marco Bellocchio

After 20 years of working with Marco Bellocchio, a close collaborator feels the need to share what he experienced with him.

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A documentary exploring the life and legacy of renowned Italian actor Gian Maria Volonté, featuring insights from his colleagues, family, and never-before-seen footage, highlighting his artistic journey and political activism.

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An account of the life and artistic career of Raffaella Carrà (1943-2021), Italian pop star and television personality, told through the voices of those who knew her best.

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Drawing on archives and interviews, including one with Italian director Marco Bellocchio, this is a fascinating behind-the-scenes look at the making of his film about reformed mafia member Tommaso Buscetta.

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A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.

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Opera Prima is a tribute and a journey through the evolution that cinema has had in Italy. Tayu Vlietstra, a pupil of Bertolucci, carries out an investigation on the first work of six of the most authoritative and beloved Italian directors. The result is an unpublished and precious document that reveals the emotions and expectations of directors grappling with their cinematic debut. Mario Monicelli, Bernardo Bertolucci, Lina Wertmüller, Marco Bellocchio, Liliana Cavani and Francesca Archibugi offer a still current evolution on the needs and difficulties of making cinema in our country.

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A portrait of Italy in the 60's and 70's, based on films by Marco Bellocchio.

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"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.

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A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.

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In 1968, young people from Berkeley to Paris and from Prague to Tokyo rose up against the world they were being offered. In this sprawling but riveting two-part documentary, veteran filmmaker Don Kent tracks the development, decline and legacy of this global movement against the fiery backdrop of the Vietnam War, civil rights struggles, dueling ideologies, and international coup d’états. A time capsule full of evocative sights and sounds, narrated by leading historians and political activists, Les années 68 effortlessly connects apparently discrete events to form a blazingly timely analysis of a decade that shaped the way we live now.

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Marco Bellocchio in his interview with Joyce in 1994 talks about his attitude towards life devoid of dreams and illusions, but extremely active, asking her how it is possible to transmit the extraordinary things that she has lived. Her straw handbag still hanging on a door of her room, the cuckoo of the room, the wicker rocking chair, her colored combs resting in the bathroom near the mirror, the Sardinian carpets, the flowers that Angela always puts on the kitchen table, the reeds dancing with the wind. Joyce's house in Fermo, in the Marche region, is a house that breathes life, a life many times dramatic but also rich in poetry. The period of exile with Emilio Lussu in Paris, the struggles of women in Sardinia, the translations of poets who wrote "useful poetry", the one that comes directly, without too many words, to the knowledge of other realities and to sentiment.

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Documentary about Italian cinema.

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The extremely mawkish hides something extremely violent.

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A documentary focused on film critic Lino Micciché, as seen from the point of view of his friends and his son Francesco.

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Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

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After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

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How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

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Documentary on the making of Marco Bellocchio's first film as a director, 'Fists in the Pocket'.

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As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.

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Documentary about the anthology film Love and Anger (1969) with interviews with Carlo Lizzani (director of the segment "L'indifferenza"), Marco Bellocchio (director of the segment "Discutiamo, discussamo"), Maurizio Ponzi (assistant director of the segment " La sequenza del fiore di carta," by Pier Paolo Pasolini), and Roberto Perpignani (editor of the segment "Agonia," by Bernardo Bertolucci).

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Various generations of filmmakers talk about what cinema means for them.

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A documentary about the making of "Buongiorno, notte" and the films and politics of director Marco Bellocchio.

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Documentary about Italian film screenwriter Cesare Zavattini

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A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.

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A strange encounter with an unknown man from a story a harpist tells to his friend during a recording session.

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In the early '80s, Enzo Tortora is one of the most beloved figures on Italian television. But in the midst of Italy's war against organized crime, Enzo's life is upended when he's falsely connected to the notorious Camorra criminal ring.

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A devoted father working in film shares a magical bond with his daughter, but as she enters adolescence and falls into addiction, he takes her to Paris in a final effort to save her and their fading connection.

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These are the years of the First World War and Dr. Stefano Zorzi spends his days in the Exemption Clinic in a large city of Northern Italy, where he not only takes care of soldiers who arrive from the massacre of the front, but also he fights simulation and self-harm of those who hope to be dispensed, by sending them before the Military Court. If Stefano, in fact, does his utmost to heal soldiers and send them back to fight, Dr. Giulio Farradio makes them ill, or helps them to self-injure seriously enough to be exonerated. The two doctors, who went to university together and were great friends, they not only (secretly) challenge each other on a professional level, but also on the sentimental one: they are both linked to Anna, a courageous nurse with a strong character. But when the great ‘Spanish’ fever epidemic arrived in 1918, the time for love, politics and science ends up getting confused dangerously...

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Over the course of a day, Fausto, invincible in his inertia, watches a paradoxical procession of visitors pass by: the mellifluous parish priest of the town; a mysterious man with his absurd ghost-themed business idea; the captain of the Carabinieri who proposes a shotgun wedding to his daughter, who has become pregnant by a stranger. Finally, late at night, a couple of thieves enter the house with Barbara's complicity. Fausto surprises them, impassive and bored as always, and reassures them: there is nothing left, neither gold nor paintings, everything has been sold. The three do nothing but chat until the sun rises, when the thieves leave and Barbara puts the coffee on the fire.

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In Vicenza, a beautiful Italian art city, a young wealthy couple joyfully welcomes the birth of a long-awaited daughter in the early 1980s. But the child’s face is disfigured by a red birthmark that covers half her face. This spot haunts the mother to the point that she rejects her responsibilities as a mother. The child’s aunt, a famous concert pianist, takes over her education, thus discovering her exceptional musical talent.

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The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.

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Italy, March 16, 1978. Aldo Moro, president of Christian Democracy, the ruling party, is kidnapped by the extreme left-wing terrorist gang Red Brigades. While the criminals put him on trial and condemn him, the Italian government and Pope Paul VI pull their twisted strings to save his life.

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The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

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The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists.

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A man wanders the streets of a small provincial town, obsessed by the idea of meddling in the lives of others.

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"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.

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Palermo, Sicily, 1980. Mafia member Tommaso Buscetta decides to move to Brazil with his family fleeing the constant war between the different clans of the criminal organization. But when, after living several misfortunes, he is forced to return to Italy, he makes a bold decision that will change his life and the destiny of Cosa Nostra forever.

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It is a sunny day on the river Trebbia. In the distance a patrol of German soldiers is approaching : they are nazis, guns blazing. It seems like they are chasing somebody. Tonino is the fugitive, a partisan with nothing left to do but dive into the river. This river will bring him to his real life.

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Elena has just turned 18 and this is her first day working in a coffee bar in Bobbio, a town in the north of Italy. It's summer and the coffee bar is very busy. The first day at work is a chance for Elena to meet lots of different people. Each person has a different story to tell - not just in words but also through simple gestures and actions. These characters can sometimes be quite odd and reflect the countless nuances of the human soul.

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Turin, 1969. Nine-year-old Massimo’s idyllic childhood is shattered by the mysterious death of his mother. The young boy refuses to accept this brutal loss, even if the priest says she is now in Heaven. Years later in the 90s, adult Massimo has become an accomplished journalist. After reporting on the war in Sarajevo, he begins to suffer from panic attacks. As he prepares to sell his parents’ apartment, Massimo is forced to relive his traumatic past. Compassionate doctor Elisa could help tormented Massimo open up and confront his childhood wounds…

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In the theater of a small village, rehersals are taking place for a show based on the opera I Pagliacci. There is no orchestra, just a piano and the singers. Amongs the few people in the audience there is the mother of the singer, a rich local lady and financer of the project, the sister, and a few other people involved in the show. During a dinner party at this rich lady’s house, a hiposis session takes place, where rancor and pain emerge from the brother and sister towards their mother and their impossibility of overcoming them.

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In the Middle Ages, Federico, a soldier, visits the convent in Bobbio, where Sister Benedetta is facing charges of witchery for seducing Fabrizio, Federico’s twin brother, and making him betray his priestly mission. Federico hopes to secure his brother a burial on consecrated grounds. In modern times, Federico Mai, a Minister inspector, knocks on the doors of the very same convent, in order to broker a sale of the property to a Russian millionaire. Unbeknownst to him, a mysterious "Count" lives there.

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A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.

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The film, a nostalgic fantasy documentary, depicts in six episodes a family story in Bobbio between 1999 and 2008. We discover the 5 years-old Elena being brought up by her aunts (Marco Bellocchio's sisters) because her mother Sara is trying to succeed as an actress in Milan. Her uncle Giorgio has a difficult relationship with his sister and judges her for not taking care of her daughter. But as soon as Sara can afford it, she offers to take Elena with her, leaving the village and her aunts, perhaps for ever - while Giorgio, up to his eyeballs in debt, takes refuge in Bobbio. His sister will help him and sell a house.

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The story of the descent into madness of Mussolini's secret first wife, Ida Dasler, who was seduced by his passion and vigor but blind to the fascist dictator's many flaws.

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An early version of Marco Bellocchio's Sorelle Mai

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Franco Elica is a film director casting a remake of a pious melodrama in Rome. He's melancholy, heading south for a break. On a beach, he meets a man who films weddings and is roped into helping film the wedding of the daughter of a severe and imperious prince. The wedding is one of convenience - the prince needs money, the groom is a mama's boy. Elica is attracted to the bride, Boda, and tries to convince her not to marry. No matter how outrageous his behavior, the prince keeps Elica on as the wedding director. As the wedding approaches, what's real blurs with Elica's imagination. Is he mad?

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Il Regista di Matrimoni from Marco Bellocchio seen from a different point of view, a movie inside a movie.

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Three Italian soldiers volunteer to go to Kosovo after the war, where they risk their lives to help a young girl.

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The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants -- a conflicted young woman in the ranks of the Red Brigade.

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A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.

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It is a unusual documentary that mixes the music of famous opera composer Giuseppe Verdi with places, faces and voices from Piacenza, a nice place in the north of Italy where Verdi lived and composed his music. Probably it could have been more interesting if the musical part was not so preminent...recommended for Verdi's fans

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An encounter between two women: Sonia confesses to Elena that she would like to escape her town and her friend promises to help her.

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A child in anaphylactic shock after an insect sting is brought by her father to a doctor, a foreigner who doesn't speak the language well and is looked at by the town with diffidence.

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Based on Anton Chekhov's The Seagull.

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A short film.

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A young man lives as a recluse in a monastery. In a sort of ecstasy, he begins to talk to nature and recite the gospels.

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A young maestro conducts rehearsals with a male chorus. He is frustrated and feels that a female voice is missing.

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Rome, early 20th century: a wealthy psychiatrist, who runs an asylum for women and lacks imagination in his practice, must find a wet nurse for his infant when his wife panics after childbirth. He brings a peasant, Annette, to Rome, forcing her to leave her own baby behind. To the consternation and increasing anger of the wife, the nanny immediately bonds with the couple's infant son - Annette's a natural. Against a backdrop of leftist demonstrations, Annette, who's lover is a teacher jailed for subversion, asks the doctor to teach her to read and write. Her nature and curiosity, the doctor's bland ideas, he and his wife's problems, and the two infants bring the story to a head.

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The Prince of Homburg, disobeys orders and leads a cavalry charge in battle against the Swedes, which leads to victory. He is court martialled however for disobeying orders and sentenced to death. His love who is now to be betrothed to the King of Sweden, following his execution appeals to the Elector, her uncle, on his behalf, as do his comrades in battle. He must also contend with his own desire to live and conflicting sense of honour.

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