Claude Borelli

"Thieves We Are" - In flashback, the audience learns why 104-year-old Amedee steals the watch belonging to the town mayor. The story develops into a history of the watch-thievery business, told in anecdotal fashion.

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Count Fernand du Bois d'Enghien typifies the pleasure seeker and as such he has a mistress of course, star singer Lucette Gauthier. But now Fernand feels it is time for him to tie the knot. For that, pretty Viviane Duverger is the ideal prey. The trouble is that the explosive Lucette does not hear it that way. Fortunately for Bois d'Enghien, Urugua, a rich South American general, falls in love with Lucette.

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The renowned theatre manager, Paul Rémy, is accused by his general secretary Andrieux of having killed his partner. On the advice of his wife Mona, Paul goes into hiding in a psychiatric hospital to escape from the police. But Andrieux seduces Mona who then turns against her husband.

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On the run from international police, Special Agent Lemmy Caution arrives in the South of France and soon becomes embroiled in a scheme with the infamous gangster Siegella. Whilst seeming to co-operate with the underworld boss, Lemmy is secretly acting for the FBI, and intends using Miranda Van Zelden, a wealthy heiress, as bait to trap a gang of crooks and put an end to Siegella's exploits...

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After a novice nun learns of the sudden death of her parents, she leaves the convent to manage the family business and look after her teenage sister. Both of them fall prey to a womanizing mechanic with psychopathic tendencies.

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In order to please Martineau, a wealthy industrialist, cynical Gabory accepts to organize a rigged beauty contest whose winner will be Françoise, Martineau's young mistress. However, there are other comely contestants among whom Christiane, the daughter of a general, Jackie, an unemployed actress, Colette, the daughter of a distiller and Marie, a secretary engaged to serious-minded construction foreman Robert. So, will things turn out exactly the way Martineau and Gabory want them...?

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A famous poet in postwar Paris, scorned by the Left Bank youth, is in love with both his wife Eurydice and a mysterious princess. Seeking inspiration, the poet becomes obsessed and follows the princess from the world of the living to the land of the dead.

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Praised for its incisive dialogue by Henri Jeanson, the film is a social and urban satire following the antics of gate-crashers and opportunistic ticket scalpers.

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A brave woman is sentenced to prison on false testimony. She escapes twenty years later and takes refuge in Paris where she carries bread while looking for her children Georges and Lucie who will find her and exonerate her.

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