Roberto Hoyas

Soleiman is a fisherman in an isolated island in northern Morocco (Al Hoceima). He lives with his wife, Aisha, and his son, Ismael who is sick with cancer. Soleiman and Aicha are in love and form a happy family... until one day Eva appears, and is captivated by Soleiman. Overtaken by jealousy Eric puts an end to their romantic vacations, leaving Eva behind and taking with him her passport and the rest of her possessions Now, more than ever, Eva will need Soleiman's presence. Gradually, Soleiman falls in love with Eva, disengages from his wife and starts drifting away from his son who is about to die. Aisha is unsettled and concerned by Eva's sudden and unjustified presence, causing marital conflicts with Soleiman. Despite this, Aisha makes an effort to keep her marriage alive for the sake of her son, who needs his father at this critical point in his life. Its a dramatic story of jealousy, love and deceits that only lead to hell.

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La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

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When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.

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An elderly man returns to his native town with the hope of finding his childhood love.

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Jaime is frustrated by the feeling that some time ago he let the woman who would have been the woman of his life slip away. He now lives in Madrid, is married and the father of a daughter. On the occasion of a trip he has to make to his parents' house in Pamplona, he remembers the summer of 1992 when he met Eva. There, in Pamplona, Jaime prefers to spend the San Fermín festivities in the swimming pool, lying in the sun and devoting himself to his favourite hobby: observing the girls and portraying them in his sketchbook. Jaime looks at the smallest details to classify people, especially one: he is fascinated by girls who bend their legs when they talk. Translated with www.DeepL.com/Translator (free version)

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Three students are sent by their families to Cadiz in 1965, his last chance to pass and become what is expected of them. The appearance of some dancers disrupts their commitments: boys lose the course and girls, their work. But together they learn to decide their future.

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