Dafnis Balduz

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The harmony of a community is shattered by an allegation of sexual assault on social media that points to three teenagers as the main suspects.

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Rural Catalonia, 16th century. A quack doctor arrives in a village to cure the mayor's son, but a local healer warns him that a curse is hanging over them.

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Wolfgang, a 10-year-old boy with an IQ of 152, is forced to live with his father, Carles, whom he has never seen, after the sudden death of his mother. He has one obsession, to run away to Paris to study at the Grimald Academy and become the best pianist in the world. But what Wolfgang doesn’t know is that the biggest challenge is right in front of him and that is to get along with his father.

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Pepe is the best person in the world, until he discovers that he has a terminal illness and has months to live. To avoid suffering for his loved ones, Pepe decides to become the worst person in the world and thus keep them away from him so that they don't miss him when he dies.

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A comedy writer working on a TV show has to collaborate with a new partner, Humormatic, a joke-writing machine.

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The viral video of a Christian pop group made up of several sisters has an enormous effect on the life of Enric, a man tormented by a childhood marked by religious fanaticism and the yoke of a mother with messianic delirium.

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Alice Gould, a private investigator, pretends to be mentally ill in order to enter a psychiatric hospital and gather evidence for the case she is working on: the death of a patient in unclear circumstances.

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Marc is a different boy from the others. He just lost his best friend, the year that he started college. He lives in a society of internet, social networks and the desire of young people to be adult. He decides to question his emotions. In him, he discovers his fears of being an adult and leaving the childhood stage. He scares to grow up unlike the others. With the support of the memory of Oscar, in the middle of the city, between tears and laughter. Marc learns to let go, heal old memories, and redefine his emotions.

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During the Spanish Civil War, sworn enemies must work together when they encounter flesh-eating zombies created in a Nazi experiment.

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A reimagining of the myth of Faust, in which a documentary director and her producer investigate a number of celebrities.

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Salamanca, Spain, 1936. In the early days of the military rebellion that began the Spanish Civil War (1936-39), writer Miguel de Unamuno supports the uprising in the hope that the prevailing political chaos will end. But when the confrontation becomes bloody, Unamuno must question his initial position.

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Jacint Verdaguer, poet and priest, had an exciting life, lived literary glory and became the most prestigious poet of his time. But circumstances and his indomitable and proud character caused his downfall.

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Four women will have to deal with the problems of their daily lives, while trying to hide a dark secret that will make their whole world reel.

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In 1966, Justo Gil arrives in Barcelona as a migrant with the purpose of gaining enough money to give his sick mother the best care. His great charisma allows him to socialize with the youngsters of the upper-class, until an unexpected turn of events makes him become an informer of the political police, in order to pursue communist cells.

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A group of high school friends meet again after 25 years to attend the funeral of a mutual friend, and from that point on they try to recover their friendship.

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As the life of Charles of Habsburg is told since his arrival to Spain, it can be seen how the heir to the crowns of Germany, Burgundy, the Netherlands, the Free County, Artois, Nevers and Rethel, of the territories of the Crown of Aragon and its related Italian territories, and of the territories of the Catholic Monarchs in Castile, North Africa and the Americas, matures as a statesman and gets stronger in face of menaces around him and good and bad advice from his counselors.

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An anthology film with 20 stories on the subject of words, communication, linked to one another over a 400-metre stretch: from Madrid's Lavapiés Square to the Sala Mirador. A journey between theatre and cinema, filmed in a single fixed shot running continuously over 80 minutes and half a kilometer, in Madrid's popular Lavapiés district. The characters talk, argue, laugh, cry, threaten, whisper, shout, steal, make dates, get angry with and hug one another, prompting the spectator to reflect on the immense power of words.

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TV Movie, nominated for the Gaudí, which adapts the eponymous play written by the playwright Pere Riera. Tense battle in front and behind the cameras between a journalist and a politician. This is not a work on politics. Nor is it a story about journalists. It is not a reflection on the always convulsive relations between the media power and the administration. "Desclassificats" shows us the meeting of three characters with very opposite points of view on ethics, professional integrity and dignity of the individual.

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Psychiatrist Dr. Helena Jarra conducts a series of psychological experiments on several patients afflicted with schizophrenia in order to prove that schizophrenia is connected with paranormal phenomena. Jarra takes a handful of schizophrenics to a secluded house that's rumored to be haunted. Parapsychologist Matias Kram documents the events on videotape for posterity.

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"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

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Catalan miniseries.

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Fifteen stories, contemporary and some historical, where humorous, sarcasm and courage passed bills to pain, old age, death and love, but above all with human stupidity, without concessions, watching her face the difficult life balance and human misery.

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A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?

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