Anna Azcona

A pregnant woman navigates life as a single mom in Barcelona, facing ups and downs as she raises her toddler son in the vibrant Spanish city.

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Gonzalo, now 18, chooses not to take his deceased father's car, even though it was expected that he would. This unexpected choice perplexes everyone, especially his mother. The car becomes a symbol of an unresolved family wound, only to heal when Gonzalo honestly admits to his mother that he doesn't remember his father.

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Barcelona, Spain, in the late sixties. Eugenio, a young jeweler who has fallen in love with Conchita, a singer, to the point of learning to play the guitar to accompany her in her performances, will first have to learn to overcome his stage fright.

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Lea and her mother Júlia decide to spend a weekend in the countryside to disconnect from their busy urban lives. Frustrated by a crisis with her current partner, Lea will argue with her mother in an acrimonious way, thus breaking the purpose of the trip. But under the light of a lunar eclipse and with the help of an old family friend, mother and daughter manage to reunite.

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Manuela is a young woman who lives in a cabin where she studies the Andalusian wetlands. Her life revolves around watching birds. A few kilometres away, Alba lives completely neglected, a seven-year-old girl whose mother, Yolanda, works at night.

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Two men with the same name endure the funny consequences of getting mixed up during a business trip.

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Oblivious to the strife that awaits them, a group of young nurses from Spain's upper class head to war-torn Marocco in 1921 to help where help is needed. Many lessons in love and life are learned before they overcome deepest conflicts, grow as human beings and find out what they really want from life and whom they truly love.

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The lower part of Barcelona’s best district is a quiet and stately neighbourhood. The House of Columns hides many secrets, and has witnessed many events. The Catalan capital’s multiculturalism has a lot to offer. It’s better to laugh than to cry!

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A risky project, the result of over 20 years of meticulous work in conception and editing, offering a kaleidoscopic vision of the city of Barcelona as a reflection of any metropolis in any country. Encounters and misunderstandings among hundreds of characters and interwoven micro-stories form a vast window onto the city.

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A swim instructor dealing with a child terrified of the water is accused of inappropriate behavior -- but the stories offered don't line up, leaving parents suspicious and doubtful.

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"Mentiders" tells the story of a family trying to survive atypical Christmas Eve.

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Anna returns from Africa, where he worked two years in an NGO, and is hired as a security guard at an exclusive health center on the outskirts of Barcelona. By breaking with her ​​boyfriend and go home, a colleague leaves a camper as temporary housing. Spend a few weeks on a wilderness camping and then installed in the parking lot of a service area of the highway. On a night patrol work meets a young, admitted by court order, do not walk because of paralysis and refuses to reveal his identity.

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Emma is 50 years old and twenty who acts corrections officer. Her life revolves around the jail where he works and her home. Without leaving his loneliness, her order and her almost obsessive routine, lives locked in a reality that has been built for she.

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La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

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After the unexpected death of her husband, Alba (Núria Prim), a young woman, tries to rebuild her life with her daughter. However, when they move at their new home, the child dies in the pool. In an attempt to save her daughter, Alba suffers an accident and is unconscious in the hospital for a while. When she awakes, she learns that she has gone deaf and, when she tries to return to her daily live, she discovers that is able to hear conversations from people who are dead.

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Two friends begin a lesbian relationship.

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If one person's destiny were altered (in this case, not dying), how might that event change the lives of numerous other people, or in this case, prevent seven others from dying.

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Mario, a young and uprooted Menorcan fisherman, falls in love with Irene, a Barcelona socialite who spends her holidays on the island with her young daughter. After the ambiguous initial relationship, victim of the rumors and slander, she decides to leave him. Mario, unable to resign himself, follows her to Barcelona, where he finds her imprisoned in a marriage lacking in love, in which her husband, a rich and powerful industrialist related to shady business, holds her under the threat of separating her from her daughter.

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Minimalistic frieze fifteen episodes about human behavior (desire, submission, love, jealousy, wisdom, honesty, sincerity, passion, faith, ...) located between two fantastic stories about the will and doubt.

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