Robert Eisele

After the death of his brother Wago, Jian-Wa Chang now roams America's countryside while looking for his place in the world. He is hit by a van of two college students. Jian-Wa is taken in and nursed by Megan, a secluded artist. Jian-Wa is also visited by the ghost of Wago, who must act as an angel to Jian-Wa to gain acceptance into heaven. Meanwhile, the students from the hit-and-run plan to kill Jian-Wa so he doesn't talk to the police.

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The saga picks up in Washington, D.C., where Jian-Wa is competing in a classical music competition. Back in L.A., Jian-Wa's brother, Wago, is wanted by the F.B.I., which manages to pull Jian-Wa back to L.A. for questioning. They also want him to infiltrate his brother's gang, in order to save Wago. Can Jian-Wa get Wago to see the truth about things before it's too late?

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The continuing saga of the Chang brothers: Jian-Wa and Wago. Picking up where it left off, Jian-Wa has left L.A. after a gang fight that involved Wago. Jian-Wa travels to the south and finds that hatred comes in all forms, as a group of racist whites feud with harmless Vietnamese fishermen. Jian-Wa decides to side with the Vietnamese and help them defend themselves. Back in Los Angeles, Wago is enjoying his new life as a gangster.

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Kiefer Sutherland plays Denver Bayliss, a condemned murderer who has killed three people, including a prison guard. He was brought into the system as a juvenile delinquent and never got out. Now he is awaiting execution. Forest Whitaker stars as Fred Whitmore, a death row prison guard who runs into trouble when he refuses to take part in the brutally abusive tactics of the guards. However, something about Denver haunts Fred Whitmore, and the two men form an unexpected friendship that transforms their lives.

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A 30-minute unaired television movie pilot based on the original Sam Raimi's 1990 Darkman movie.

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Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as "The Equalizer." It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.

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A husband and wife, both of whom are career-oriented, agree never to step on the other's ambitions. Unfortunately, both become too ambitious for their own good, and, true to the film's title, their verbal "contract" is shattered.

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