Nandan Rao

Hawaiian Punch follows two young Mormons, Nick and Tor, during their time in Hawaii. The audience is privy to their lives sharing a house and their recreational activities around the island. Afternoons are spent cliff diving, cruising on their moped along palm tree-lined streets and talking about relationships and religion.

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Twentysomething J. and two of his close friends are in the process of realizing their utopian dream: turning an abandoned cathedral into a grant-powered, environmentally sustainable art space. Newcomers to the post-industrial frontier where they found this chapel, they have been carried here by progressive beliefs that have since left them in a muddled quandary to question the validity of their presence. But there is work to do every day. Work to realize the dream they might still have.

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An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.

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Unemployed college graduates Zach and Rob find themselves adrift in the wake of their education's real-world uselessness, looking for immediate gratifications wherever possible. When a cross-country call to adventure comes in the form of a $10,000 bounty on a mysterious package delivery, the two men engage in a gonzo road-trip to find meaning, adulthood and/or America itself.

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Rob and his best friend Austyn apply to become human guinea pigs at the local medical testing facility of a vaguely intentioned multinational company called EvCorp. As the facility's mere presence has bitterly polarized their town, the two apply in stealth. Only Austyn is accepted - ushered away and out of contact into EvCorp's shadowy interior - leaving Rob to bear the burden of secrecy as well as the private concern that perhaps not all will be well with his buddy. As he navigates both sides of the town's deepening rift, guilt and denial do battle in his mind - evoking eerie visions, paranoia, and a strange physical malady. SLACKJAW is a mildly absurd bromantic dramedy about the path to personal responsibility amidst the divisive fog of a politicized landscape.

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A young woman's sister goes missing. She then sets out on a quest through Brooklyn to find her on her own, enlisting the help of a motley crew of New York weirdos.

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An experimental exploration and celebration of the Juggalo subculture in Buffalo, New York. Long and static takes of Juggalos engaged in their favorite activities, first and foremost of which - causing mayhem. Among these seemingly random acts of the everyday, preening, sexual gratification, backyard wrestling, explosions and destruction, a tentative narrative begins to emerge.

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Josh (Zach Weintraub) is a young American who has traveled to Buenos Aires to find subjects for a documentary series he has been commissioned to produce. While there, he seems also to be hoping to use the time to regroup—although regroup from what is unclear. The change of venue is not without its own set of problems, however. Josh finds it difficult to get his footing in Buenos Aires. Subjects aren’t coming easy, and he is having trouble connecting socially. He spends long stretches of time isolated in his rented room, struggling to move forward with his work and make social in-roads. Enter Anna (Sophia Takal), a young woman renting a room with an adjoining wall to Josh. After discovering each other through this shared wall, a friendship quickly blossoms which may lead to something more. What remains uncertain is if Anna’s presence will help pull Josh out of his doldrums.

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