Cosey Fanni Tutti

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

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The true story of punks, queers, & criminals on a ride with two men who accidentally changed music along the way.

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Hull is the UK's City of Culture for 2017. In this BBC Arts documentary, the wonderful Hull-born comedian Lucy Beaumont, writer and star of the Radio 4 sitcom To Hull and Back, looks at the cultural treats that will be taking place in her home town - and whether being City of Culture will transform Hull forever. Lucy talks to key figures in this historic year for her home city, including the writer Richard Bean and actress Maureen Lipman, as well as discovering the rich cultural life that already exists in Hull. She will also explore the more avant-garde side of Hull with the performance artist Cosey Fanni Tutti, who invented industrial music with the band Throbbing Gristle.

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Industrial Soundtrack For The Urban Decay traces the origins of Industrial music, taking you on a journey through the crumbling industrial cities of Europe to America's thriving avant-garde scene. Featuring Throbbing Gristle, Cabaret Voltaire, NON, SPK, Test Dept, Clock DVA, Re/Search - V Vale, Z'EV, Click Click, Sordide Sentimental, Hula, The Klinik, Ant Zen, Orphx, In The Nursery and Prima Linea.

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TGV is a limited edition 7 DVD set of archival footage of the English industrial band Throbbing Gristle. Included in this set were some of Throbbing Gristle's live performances, as well as rehearsals and short films. The release was limited to 2000 copies and was initially only available direct from the band's website.

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Tracklist: Sleeping Stephen Arcade Vengeance Beatnik Club Workout Confession Obsession Dancing On Your Grave Beatbeatbeat

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A ritual of transformation and awakening within the walls of the only existing original 'diorama' building in London. Followed by a celebration of the body and mind. The admission of sexual awakening and freedom. A tribute to the works of Georges Bataille. Filmed at The Bloomsbury Theatre, London, UK.

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A film by Cosey Fanni Tutti, originally commissioned for the Taboo Festival of Eroticism on the 6th March 1986. Statement: Expression of oneself and of the hidden voice so seldom heard or heeded is an action of unequal power. Releasing and acknowledging all that you are to yourself allows growth of spirit. Creativity on every level begins with ourselves. Suppression brings us only screaming souls locked within empty lives. I wish for every voice to be heard, even as a whisper... Cosey Fanni Tutti 1986

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Greenaway's short documentary shows 26 bathrooms, each representing a letter of the alphabet.

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A visual art music/video album created by the members of the industrial/experimental group Throbbing Gristle, Chris Carter and Cosey Fanni Tutti.

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Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were followed by the postwar series of "distorted nudes", shot on beaches and inside rooms. The film is a fitting final portrait of Brandt (it was completed in the year he died), and recomposes his work in cinematic terms. The camera moves through an apartment where the pictures were taken, to reveal photographs scattered 'in situ'. These are panned to show the surrounding space, the angle of vision and a model who reconstructs Brandt's original image. Dwoskin emphasises visual atmosphere through the language of the eye.

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Throbbing Gristle performing live at the Kezar Pavillion in San Francisco, California on the evening of May 29th, 1981. This would be TG's last show until reforming in 2002.

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A video of live performances by Chris & Cosy with visuals by John Lacey. Recorded during the CTI European tour of 1983. (throbbing-gristle.com)

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Recorded live at Kezar Pavilion in San Francisco on the evening of May 29th, 1981. "Throbbing Gristle have ceased to exist. They are now pursuing solo projects."

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For over 30 years, the so-called First Transmission video from Psychic TV, has been the stuff of, well, “snuff film” legend. First advertised in the back pages of Thee Grey Book , The First Transmission was an ultra weird touchstone of the underground VHS tape trading scene of the 1980s.

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An experimental film of the group Throbbing Gristle in concert.

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Throbbing Gristle: Live at the Lyceum, London, 8th of February 1980

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A 10 minute Super 8 collaboration with Tana Emmolo Smith, SXXX-80 (1980), a film which gleefully depicts what many would consider polymorphic sexual dysfunction as home movie, and was produced as a result of equal parts ennui and mischief on Cazazza's part.

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The live in-studio recording of Throbbing Gristle's Heathen Earth, in February of 1980, in front of an invited audience at the studios of Industrial Records Ltd.

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The recording of the Heathen Earth album. This video cassette was made at the recording of the album Heathen Earth, between 8.10 and 9.00 pm on Saturday 16 February 1980 in front of an invited audience at the studios of Industrial Records Ltd. In addition to the single camera recording of the performance, certain visual information from our files has been included. The soundtrack of the tape was taken independent of the 8-track audio master recording and it remains "live" and unremixed - it consequently differs from the album in some places. Like the TG sound itself, the quality and content of this recording cannot and should not be compared with conventional commercial recordings.

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Throbbing Gristle: Live at Sheffield University 10th of June 1980

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"This video cassette contains a recording of a live performance by TG at Oundle School. The audience, apart one or two members of the staff, was composed completely of school boys between about 8 and 18. In addition to the single camera recording of the gig, certain visual information from the files of Industrial Records Ltd. has been included. Like the TG sound itself, the content and quality of this recording cannot and should not be compared with conventional commercial recordings."

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An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.

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Professional astrologer and lothario David Galaxy (Alan Lake, aka Mr Diana Dors), finds himself entangled with the Law and must be able to provide an alibi to clear himself from an incident that involved robbery and murder five years previously.

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In order to unmask a pathological killer who is targeting the beautiful centrefolds of Playbirds magazine, a sexy policewoman Lucy Sheridan puts her life and reputation on the line by sleeping with millionaire publisher Harry Dougan. The Chief Superintendant and Police Commissioner are keeping a close eye on her, but time is running out fast.

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A man daydreams about sexual adventures with several women.

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'The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl's memories and thoughts, all surrounded, and directed towards her particular dilemma. This dilemma can be summarized as her basic inability to have relationships, especially sustained relationships, and particularly with men. This is the total of her statement and the film. The construction and flow of the film follows the way she thinks - it is her point of view that is followed in the film. So all things are the way she remembers and dwells on them, and which are important to her.' - S.D.

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In this silly soft-core sex comedy, Tony Kenyon is Custer Firkeshaw, the owner of a girlie magazine. He stands to inherit a fortune… If he can get married and have a baby within a year. When he (and his relatives) find out from his doctor that he only has 13 more…uh, attempts-at-procreating left in him, the relatives set out to ensure that he uses them all up, so that they can inherit the property.

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Virginal nerd Jon Pigeon, manages to secure a job in a sex research institute where the patients run about the corridors naked, nude aerobics are encouraged and no man is safe from the crotch-grabbing tea lady. In his attempts to seduce pretty office secretary Cheryl, Pigeon invents a machine called Agnes that emits a 'sonic aphrodisiac' guaranteed to turn any man or woman into an slathering sex maniac. Although his attempts to zap Cheryl are singularly unsuccessful, Pigeon gets some interesting results when he accidentally turns the 'sex ray' on his bullying boss Nutbrown and the prudish Mary Watchtower.

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Soundtracked by members of COUM, Chris Carter, and John Lacey. Presents footage punctuated by separate actions by Genesis P-Orridge and Cosey Fanni Tutti. Similar to Coumdensation Mucus, the rituals conducted in Music for Starecase and Stocking Top approach human sexuality with a sense of innocence and discovery. P-Orridge, donning a schoolgirl's dress, sodomizes h/erself with a dildo, which s/he then offers as tribute on a self-made altar. Tutti swings, and crunches numbers at a cash register.

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