Roya Nownahali

A story of three women in a hair salon - Pegah is getting ready for her wedding when her fiancé puts her in a difficult situation, Shahla is pregnant and worries about the father’s reaction when he finds out, and Haydedeh gets a surprise visit from her ex-husband who is leaving the country.

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Story About A Girl who Want's to Move To Italy But Family Matters Diverts Her To Another Way

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It's about a couple Iraj and Giti who their life is about to collapse. Their problem is Giti's virtual life in the internet and the doubts and consequences of that which affect their life.

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After his wife and daughter lose touch with him, Habib starts losing his memory to the point of Alzheimer.

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A lonely wife is helping her hopeless husband who is living his last days of his life because of cancer . Romantic relationship between them plus having her mother in law around causing drama & surreal narration . Unfortunately we've lost our director because of cancer just a couple of months after finishing our project .

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When the resident singer at a venue that hosts weddings and funerals abruptly quits his job, a young, charming new singer (Hamed Behdad) is hired. Unexpectedly, a romantic relationship begins to develop between him and older, widowed woman who also works at the venue, though neither is immediately aware of the other’s emotions. The romance that ensues creates as much chaos as it does tenderness. This is a star-studded and incredibly entertaining ride.

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A romantic historical drama set around and after the 1953 Iranian coup d'état.

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A man wakes up and doesn't remember anything...

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A murder takes place in a residential complex, and each of the neighbors gets involved in some way.

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A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

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Niloofar is a twelve-year-old girl whose dream is to read and write, but she lives in a village where education is only for boys. Her mother, a well-known midwife, insists that Niloofar become her apprentice. While assisting her mother during a delivery, Niloofar meets a feminist woman who undertakes to teach her in secret. Unfortunately, in exchange of a palm tree field, Niloofar's father promises her in marriage to an older man once she becomes a woman. Horrified by this notion, Niloofar does everything in her power to postpone her first periods. Eventually, the inevitable occurs. HOwever, Niloofar, who is determined to keep her freedom as long as possible, arranges to conceal the fact from her family for another two years until the truth can no longer be hidden. Then, rather than live in a marriage without love, Niloofar runs away with her friend. Shocked, her family considers itself dishonored and sends her step-brother to track her down

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Mana is an eight-year-old girl whom Leila has adopted through an old woman because she could not have child. One day, Mana faints at school. Following medical investigations, they find out that she is HIV positive…

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An artist's life who lives in a village of Kurdistan,Iran has been changed because his nephew enters to the village.

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After 22 years, Aziz decides to return to his hometown, to sell some family possessions, including the house where he was born. But for his astonishment, the place is now a small restaurant, run by four women, one of them a girl whom he once dated. Attieh, the girl, tries to convince him not to sell the place by, instead of telling him a story a day as Sheherazade, cooking him a delicious dish every day.

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The life of a single mother living in Tehran gets unsettled by the visit of her enstranged sister.

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A group of youngsters participate in a race match and endure the difficult route of this race just to be hired in the Environmental Protection agency of Tehran.

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Between Dreaming and Awakening, an Iranian drama series whose story revolves around gangs that sponsor the drug trade in Iran, where senior police officers confront them after they pose a real threat to the country's youth. It shows a complicated story about police trying to drag these traders into the trap, so interesting events take place in a dramatic context in which the features of the conflict between the forces of good and evil appear, and the series is a light police comic type, which gives the impression of the difficulties facing the policemen of the dangers and obstacles surrounding the policeman and his family in the same time.

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Spanning 18 years in an Iranian women's prison, this follows two women: the new prison warden, a tough as nails devout Muslim who has served in the army on the Iraqi front, and a young midwife, Mitra, who is serving her sentence for killing her mother's abusive husband. In the early years, Mitra is repeatedly punished as the warden tries to break her. This includes punishment for delivering a baby in the prison cell while all of the prison staff has taken shelter during an Iraqi bombing. The warden's attitude starts to change after 8 years, when Mitra tries to protect a new inmate from rape at the hands of her older cellmates. When the baby comes back in 1991 as a 17 year old delinquent, Sepideh, the warden respects Mitra enough to protect the girl.

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Director Bahman Farmanara's second film following a 20-year exile from his native Iran depicts the spiritual crisis of a middle-aged man. In the film's dreamlike opening scene, Dr. Reza Sepidbakht (Reza Kianian), a well-off Tehran gynecologist, thinks he runs over an angel while driving home at night with a call girl. The next morning at the hospital where he works, he is shown a comatose boy who is famous for having memorized the entire Koran. These two events cause him to rethink his cynical outlook on life and his relationships with his elderly father, wayward son, and the women he has mistreated since becoming estranged from his wife. When the boy awakens from his coma, Dr. Sepidbakht begins to look to him for answers.

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In a small valley, riders pursue and kill a man. A horse thief, so his assassins claim. But for his ten year old son Issa, the disappearance of his father causes an avalanche of problems. With the family name stigmatized, Issa is bullied by the other children in the village. While his mother fights to clear her husbands name, Issa is left to his own devices. But unexpectedly, his solitude gives birth to his freedom, his real passion, horses.

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Summary of the story: Turan, who is known as Natasha (with the spectacular performance of Roya Nonhali) and is a professional criminal, returns to Iran after many years. He started an armed robbery with Abdallah Panlang, who had a history of criminal activity and had abandoned it for many years. After a while, Abdallah's son was arrested and in an armed robbery, his son-in-law was injured by the police, and Natasha was also Abdallah. forces him to kill his wounded son-in-law...

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Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left?

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The fight for power in an isolated village. Two families have been enemies for so long they cannot even remember why. The only hope for peace between the feuding families is lost when an arranged marriage agreement is broken. Some days later, the groom, Karamat, returns with a brand new minibus. But a fierce competition for passengers break out when the bride, Mehrbanou, decides to do the same.

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An Iranian TV-play adaptation of Agatha Christie's The Mousetrap.

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Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they challenge both the authority of family and state to lead their own lives.

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This series is told from the perspective of five thieves and two police officers. In two episodes, the story of the bank robbery is told from the perspective of Dr. Shams and Major Niazi and their analysis, and in four episodes, the story is told from the perspective of the thieves.

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An episodic film made of 4 separate stories which are happening in night till morning and shows the problems of the characters of these stories.

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