Hartmut Bitomsky

How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”, a “foreign homeland of reality”, where the pre-filmic, stripped of its immediacy, comes to its own right in the first place? Where in its mis-en-scène would be the line drawn to a fictional film, if drawing a line would succeed at all? These are the kind of questions this film essay on the history and aesthetics of documentary film deals with in its seven chapters.

Open details →

Open details →

It takes a day and a half to assemble a VW Golf 2. Hartmut Bitmosky traces a car’s journey through the fully automated production lines in Wolfsburg and explores the development of the VW Group using archival footage. Moving almost in time with the machines, the director constructs a documentary collage—a visual exploration of the corporate giant, which appears as dehumanized and automated as its production process.

Open details →

“Why does cinema need death, when it can’t show it?” The filmmaker’s monologue and the discourse of images meet

Open details →

While working on "Deutschlandbilder" (1983), Hartmut Bitomsky was examining film material produced by the Nazi regime when he came across an abundance of footage documenting the planning and construction of motorways. In this found footage documentary he investigates what this material actually says: the motorway is stylized within it as a promise of progress and modernity, a "lifeline of the nation", less a straightforward piece of infrastructure than a prestige object, a work of art.

Open details →

This compilation film focuses on the contents of Nazi propaganda shorts such as "The Beauty of Work" (1934), "We Have No Problems" (1933), or "The Will To Live" (1944) that preceded the feature films in German movie theaters between 1933 and 1945. The shorts reveal that men and women workers were idealized, uniformity was stressed, optimism in the face of adversity was the goal, and, in general, all the classic lies that dictatorships use to control and mold their citizens are featured.

Open details →

"Highway 40 West" (1980/81) is the first of a series of documentaries by Hartmut Bitomsky (born 1942 in Bremen) which brought him international fame. Each of these films is dedicated to both, a specific and title-giving object and its historical-critical analysis. Such as in "Highway 40 West": For a time span of 169 minutes, the film shows Bitomsky’s emblematic US-road trip with a rented car on the eponymous road number 40, crossing the country from East to West. From early travel routes of the "Native Americans" to the trails of early colonizers, this street is loaded with American history - and with the present ruins of the American dream, which Bitomsky indulgingly captures on film. He himself appears as actor/author, conducting innumerable interviews, shooting the landscape, the diners and hotels - and his sonorous narrator’s voice reviews what is seen, and tries to understand and make it understandable.

Open details →

The two-part film by Hartmut Bitomsky is an "essay film with a plot." It revolves around the transportation of books that are meant to go from Munich to Cologne. It's about reading the right texts, deciphering secret messages, the violence that emanates from books and sometimes doesn't return. At the same time, it's about cinematic storytelling; suspense arises where it doesn't belong and gets resolved when no one expects it. (Subtitle of Part 1: "Wandering Plot," Part 2: "At the Inferno of Silence")

Open details →

Documentary about the films of John Ford.

Open details →

A darkly comedic exploration of personal struggle and societal pressure, we follow the story of a middle-aged man named Max, who is trapped in a life of monotony and frustration. After a series of unexpected events, Max finds himself in increasingly absurd and challenging situations, forcing him to confront his own limitations and fears. With sharp humor and a critique of societal expectations, the film delves into the pressures that shape our lives and the lengths we go to in order to break free from them. A poignant yet quirky tale about bending to life's demands or breaking under the weight of it all.

Open details →

Open details →

Open details →

Open details →

An educational film about an aspect of political economy. The concepts of use value, barter value and labor as a commodity are the subjects; they are intended to introduce the process of understanding the theory of value of work and the law of values, alienation and fetish.

Open details →

A worker is sitting at a conveyor belt on which light bulbs are coming in at regular intervals. He takes the light bulbs from the conveyor belt and inserts them into a testing device. The light bulbs light up briefly and bathe the scene in glistening light. The worker puts the light bulb back on the conveyor belt, looks directly into the camera and shouts against the noise of the machines: "We create wealth."

Open details →

Clearly influenced by Brecht and Jean-Marie Straub, criticizes the reduction of human relations to economic relations as well as the US imperialism in Vietnam.

Open details →

“Six young people move through a city in order to establish the starting point of their joint action. But they can’t agree on the topic. In the end everybody goes their own way and leaves the city.” - Hartmut Bitomsky

Open details →

Short thriller about an older woman and an escaped convict.

Open details →

An issue of the magazine Kino 81, designed for the film department of WDR by staff of FILMKRITIK

Open details →

A look into the life of Holger Meins, the German cinematography student who became a revolutionary and a prominent voice in the Vietnam War protest movement. This film is comprised of interviews with his associates.

Open details →

A West Berlin doctor, married with a two-year-old child, leaves her husband to go to Munich to work in the birth clinic of a hospital. Her husband doesn’t know that she’s pregnant with their second child. Will she have to choose between motherhood and her career?

Open details →

An educational film about an aspect of political economy. The concepts of use value, barter value and labor as a commodity are the subjects; they are intended to introduce the process of understanding the theory of value of work and the law of values, alienation and fetish.

Open details →

Straschek's film points to the gap between workers and intellectuals and describes the "difficulties of the revolution" in a biting and witty way.

Open details →

A documentary about the events at the German Film and Television Academy Berlin (dffb) in November 1968, which led to the termination of the training contracts of 18 students. While Director Heinz Rathsack dictates to his secretary Helene Schwarz the letter lifting the ban from the premises against 18 students, the students plan a general assembly inside the dffb despite the ban.

Open details →

“Six young people move through a city in order to establish the starting point of their joint action. But they can’t agree on the topic. In the end everybody goes their own way and leaves the city.” - Hartmut Bitomsky

Open details →

Annual awarding of the Grimme Awards.

Open details →

The film documents a debate about early 20th century films, mainly 1910 to 1920, from short news reels to excerpts from full-length movies. At Amsterdam's Film Museum, film directors, students, and film researchers and archivists look at the moving images and discuss their meaning, in the social and technical contexts. Moody live music was added to the edited film.

Open details →

Hans Scharoun has built houses which show not only structural substance and aesthetic forms but also how human beings should live in buildings. This depiction can only be imaginary - like reading invisible writing on walls. Bitomsky's film looks at several of Scharoun's buildings.

Open details →

Die UFA, a film essay about the eponymous German studio.

Open details →

Barrage and Bunker is an essay film about the (narrative) space imagined by fiction films. Reflections and associations about movement in space are the basis of every kind of story-telling. The film is sometimes referred to as part of Bitomsky's Cinema Trilogy. Sequences from over 20 movies are quoted and commented on by a team of three "researchers" (Bitomsky, Petzold, Tanner) in a sort of laboratory. TV-monitors, production stills and screenshots are used as well as quotations from books. A long night's work.

Open details →

How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”, a “foreign homeland of reality”, where the pre-filmic, stripped of its immediacy, comes to its own right in the first place? Where in its mis-en-scène would be the line drawn to a fictional film, if drawing a line would succeed at all? These are the kind of questions this film essay on the history and aesthetics of documentary film deals with in its seven chapters.

Open details →

It takes a day and a half to assemble a VW Golf 2. Hartmut Bitmosky traces a car’s journey through the fully automated production lines in Wolfsburg and explores the development of the VW Group using archival footage. Moving almost in time with the machines, the director constructs a documentary collage—a visual exploration of the corporate giant, which appears as dehumanized and automated as its production process.

Open details →

“Why does cinema need death, when it can’t show it?” The filmmaker’s monologue and the discourse of images meet

Open details →

While working on "Deutschlandbilder" (1983), Hartmut Bitomsky was examining film material produced by the Nazi regime when he came across an abundance of footage documenting the planning and construction of motorways. In this found footage documentary he investigates what this material actually says: the motorway is stylized within it as a promise of progress and modernity, a "lifeline of the nation", less a straightforward piece of infrastructure than a prestige object, a work of art.

Open details →

This compilation film focuses on the contents of Nazi propaganda shorts such as "The Beauty of Work" (1934), "We Have No Problems" (1933), or "The Will To Live" (1944) that preceded the feature films in German movie theaters between 1933 and 1945. The shorts reveal that men and women workers were idealized, uniformity was stressed, optimism in the face of adversity was the goal, and, in general, all the classic lies that dictatorships use to control and mold their citizens are featured.

Open details →

"Highway 40 West" (1980/81) is the first of a series of documentaries by Hartmut Bitomsky (born 1942 in Bremen) which brought him international fame. Each of these films is dedicated to both, a specific and title-giving object and its historical-critical analysis. Such as in "Highway 40 West": For a time span of 169 minutes, the film shows Bitomsky’s emblematic US-road trip with a rented car on the eponymous road number 40, crossing the country from East to West. From early travel routes of the "Native Americans" to the trails of early colonizers, this street is loaded with American history - and with the present ruins of the American dream, which Bitomsky indulgingly captures on film. He himself appears as actor/author, conducting innumerable interviews, shooting the landscape, the diners and hotels - and his sonorous narrator’s voice reviews what is seen, and tries to understand and make it understandable.

Open details →

Open details →

Documentary about the films of John Ford.

Open details →

A darkly comedic exploration of personal struggle and societal pressure, we follow the story of a middle-aged man named Max, who is trapped in a life of monotony and frustration. After a series of unexpected events, Max finds himself in increasingly absurd and challenging situations, forcing him to confront his own limitations and fears. With sharp humor and a critique of societal expectations, the film delves into the pressures that shape our lives and the lengths we go to in order to break free from them. A poignant yet quirky tale about bending to life's demands or breaking under the weight of it all.

Open details →

Open details →

Open details →

Open details →

An educational film about an aspect of political economy. The concepts of use value, barter value and labor as a commodity are the subjects; they are intended to introduce the process of understanding the theory of value of work and the law of values, alienation and fetish.

Open details →

“Six young people move through a city in order to establish the starting point of their joint action. But they can’t agree on the topic. In the end everybody goes their own way and leaves the city.” - Hartmut Bitomsky

Open details →

Short thriller about an older woman and an escaped convict.

Open details →