Myles Breen

Six friends plan to meet-up for a few pints in Flannery’s bar-but which Flannery’s were they talking about?

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Wesley, an awkward, plant-enthused community radio host has his daily life and radio show documented by a youth film group. We watch as his simple, lonely life unfolds over the course of this mocumentary, with some appearances from family and friends (questionable) sprinkled throughout. However, beyond the laughs and heart-wrenching moments, a somewhat darker truth of Wesley's life reveals itself in the film's final act.

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Six friends plan to meet-up for a few pints in Flannery’s bar-but which Flannery’s were they talking about?

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A routine raid led by Emer Berry, a detective in the Irish Criminal Assets Bureau, reveals that a small-time drug dealer has been receiving substantial funding from a seemingly untraceable source – not in cash, but in rough diamonds. When these diamonds are linked to a series of bombings in Belgium, Emer is forced to work with Police Commissioner Christian De Jong.

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Myles Breen wrote Language UnBecoming A Lady and, as Bobby, a gay man, he performs it solo, aided only by the songs of the divas Bobby adores. Language UnBecoming A Lady is both camp and very real and earthy. It’s a measure of the writing and Myles Breen’s performance – in particular, how he slips in and out of high camp and then into a more grounded, concrete self in order to distil the complexity of Bobby – that the play cuts the right balance between sentimentality and artistry. It not only tells the tale of a gay man’s progress into maturity but we also get a touching historical journey through the Ireland of the last 30 years and how our perspective and humanity has changed for the better." - Irish Theatre Magazine

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