Artur Agostinho

Once there was a boy who was afraid of the dark. One day, while playing on an abandoned factory's roof, he let a valuable belonging fall through a gap between the tiles. Going into the factory means facing his phobia and, inside, a beast's gaze awaits.

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Leonor and Pedro, are young, in love and from different social classes. She is the daughter of a wealthy man. He is from a modest working class family. They experience an intense but dramatically short love affair. When Pedro discovers Leonor’s father’s secret – that he sexually abused a maid – he is the victim of a hit and run accident, leaving him in a deep coma for 5 years. He later awakens to find out that his girlfriend, who was told he had died in the accident, moved on with her life and married someone else, after several years of grieving.

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In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

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An unlikely love with a happy ending... At age 40, Miguel is at the top of his career as a plastic surgeon, having reached the fame and fortune he worked so hard for. He’s a hopeless bachelor, never committing to any real relationship. This is not just by choice, his situation is a result of never having met his parents and being raised in a children’s home. But, overnight, a simple phone call will change his life entirely, making him recall a point in his life that he’d rather forget. His best friend from the institution was just killed in a car crash along with his wife, but left written instructions behind stating that, if something should happen to him, Miguel should be given custody of his three children, 12-year-old Simão, 8-year-old Jaime and 6-year-old Beatriz. Initially, Miguel will try to dismiss himself from any responsibility but, after meeting the kids, he realizes that he has no choice but to bring them home.

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Shup up in dead-end lives with dreams larger than life, two inseparable friends in their thirties decide to take their fates in hand. Nevertheless, a woman a « fatale » one, gets them away from their path. And the three of them – two others will quickly join them- find themselves involved in a strange case, that of a fake painting robbery. Who said crime is not worth?

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Two simple, unassuming, apolitical men have their lives changed forever when they find themselves hunted by agents of the ruling dictatorship.

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A profile of the legendary soccer player Eusébio da Silva Ferreira, with footage of his career and a comprehensive list of interviews of former colleagues and other football legends, journalists, writers and politicians.

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Festival da Canção or Festival RTP da Canção is the name given to the national festival, produced and broadcast by Rádio e Televisão de Portugal to choose the Portuguese entry for the Eurovision Song Contest.

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Luisa and Manuel begin the existence of married, having only their dream and hope. He judges himself a Tarzan in the jungle of life, able to face all the threats, next to his companion.

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Mr. Silva has a dream: to live in the countryside and become a farmer. And one day it happens. He inherits a farm from an old aunt. But not everything will be roses, as Mr. Silva soon finds out...

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Alberto has a vocation to sing, but at home run counter to their ambition. The father, owner of a shoe shop either, the force, that he work in the shop. / Alberto tem vocação para cantar, mas em casa contrariam a sua ambição. O pai, dono de uma sapataria quer, à força, que ele trabalhe na loja.

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Anastácio lives in Lisbon and is fanatic for Sporting CP, one of the city's football teams. When the team travels to face Porto, he follows it with the family, staying in house of his friend, Mr. Barata, pretending to be rich.

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The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.

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